Return-path: Received: from kis (dmn1187.dmn.com.au [203.62.199.187]) by email.dmn.com.au (Rockliffe SMTPRA 4.5.4) with SMTP id for ; Sat, 15 Dec 2001 08:13:48 +0800 Message-ID: <000501c184fe$2255ea20$bbc73ecb@kis> From: "K.I.S. Newsletter" To: Subject: K.I.S. Newsletter December 2001.html Date: Sat, 15 Dec 2001 08:19:16 +0800 MIME-Version: 1.0 Content-Type: multipart/related; type="multipart/alternative"; boundary="----=_NextPart_000_0001_01C18541.2FB760C0" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.3018.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.3018.1300 This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C18541.2FB760C0 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C18541.2FB760C0" ------=_NextPart_001_0002_01C18541.2FB760C0 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable K.I.S. Newsletter December 2001 =20 =20 Volume 2, Issue 6. December 2001=20 Season's greeting to all! =20 Welcome to the December issue of K. I. S.=20 (The newsletter for Keen Independent Songwriters)=20 As always, I hope you find the information in this edition useful. May providence treat you well, the festive season bring you = happiness and in these extra ordinary times, may we still "Give Peace a = Chance". Warm regards and I'll be in touch in February 2002 with the next = issue. Connie Kis .......................................................... This E-zine has been sent to you in html format. To view the = whole page (rather than using scroll bars to view your e-mail), just = CLICK HERE and use your web browser to read it. Remember too, that by = pressing the 'F11' button you can also get a full screen version.=20 PS: If you know others who might be interested in receiving this = newsletter, please feel free to forward this on and get them to = 'subscribe' by clicking on the link below.=20 Subscribe=20 .......................................................... =20 =20 =20 APOLOGY: I apologise sincerely to anyone who has received this = newsletter in error or more than once (please let me know if you are = receiving multiple issues and through which addresses).=20 To be removed from the mailing list, please just scroll to the end = and follow the instructions.=20 (Don't forget to indicate which addresses you wish to have removed = if you use more than one! )=20 =20 = _________________________________________________________________________= _______ =20 =20 CONTENTS=20 In this issue...=20 1. Composing / songwriting tips - by Michael Easton, Solicitor = (Lawyer) for Brett Oaten Solicitors=20 a.. Music Sampling - Sampling is now an established musical = practice, although it still generates strong legal debate. The purpose = of this article is to provide advice for musicians considering = incorporating samples into their work.=20 2. Featured CD=20 a.. All About Flight - Gus McKay=20 3. Networkers Niche & Newsworthy Notes=20 a) Songwriting Competitions - USA Songwriting Competition = announces winners b) Material Wanted by; - NOMA Music - ESTEEM ENTERTAINMENT requires music for Instructional = video (game) and Website - ASN Tips sheet - Free Tips=20 c) What you should NOT know about the music industry =20 d) Artist Websites: =20 - Lara Stephen - Shawn Harvey - Steve Tallis 4. Resources on the Net =20 a.. Harmony Central=20 7. Local Happenings in Western Australia=20 a.. Musicians and Music Industry invited to give input to = Taskforce on where government spending should be allocated=20 b.. Performance Opportunity for local musicians at the Perth = International Festival=20 c.. Perth Blues Club Christmas party=20 ..........................................................=20 =20 PREVIOUS ISSUES: View the ARCHIVES for earlier issues of K.I.S. =20 =20 = _________________________________________________________________________= _________________ =20 =20 SONGWRITING TIPS=20 Topic for December 2001: COPYRIGHT & MUSIC SAMPLING by Michael = Easton The following article has been reproduced with kind permission by = the author, Micheal Easton.=20 Michael is a solicitor employed at Brett Oaten Solicitors, an = entertainment law firm based in Sydney. Michael can be contacted by = email: michael@brettoaten.com.au =20 =20 _________________________________ Sampling is now an established musical practice, although it still = generates strong legal debate. The purpose of this article is to provide = advice for musicians considering incorporating samples into their = work... Copyright The first step is to understand the relevant copyright issues. = There are generally three copyrights in a musical recording: 1. Copyright in the musical work. This is generally owned by the = musician who composed the song, or their music publisher; 2. Copyright in any lyrics. This may or may not be owned by the = same person who owns the copyright in the musical works; and 3. Copyright in the sound recording of the musical work. This is = generally owned by the person or company who paid for the recording, = often the record company that released the sound recording. Copyright means that the owner has a bundle of exclusive rights, = including the right to make reproductions of all, or a substantial part, = of that musical work, lyric or sound recording. This means that if you = copy, without permission, a 'substantial part of a musical work, lyric = or sound recording, copyright in which is owned by someone else, you = have infringed that person's copyright. What is a 'substantial part'? Can it be a short sample of a few = notes? This is the $64 million question, and the aspect of sampling that = generates the most heat and light amongst lawyers. A rough rule is that = if the sample is something that is recognisable, and it is appealing = enough for you to want to use, it is probably substantial enough to = attract copyright protection. The length of sample is not necessarily = relevant - it is quality that matters, not quantity. Interestingly, there is not much case law on this point as most = allegations of copyright infringement through sampling are settled by = negotiation, which often involves the payment of a royalty to the owner = of the sampled work. Generally record companies are nervous about taking these matters = to court because of cost and uncertainty, because they do not want the = court to set an unfavourable precedent, and because they may have many = artists themselves who use samples. What should you do? If you want to use a sample in a song you may need to get that = sample cleared. This means contacting the relevant. copyright owner and = requesting a licence (permission) from them to allow you to use the = sample. You will need to make your own judgment according to the = circumstances, but the factors you will need to consider in deciding = when permission is required are the distinctiveness of the sample, the = prominence of your use of the sample, and the extent of your use. = Obviously, greater caution is required for a global release, than if you = are getting 500 copies made to sell at pub gigs, even though the = copyright issues are the same. If you are dealing with a record company, they always insist on a = warranty that your recordings will not infringe anyone else's copyright, = and an indemnity from you stating that you will be responsible for any = losses they may suffer if you breach your warranty. Sometimes you can = negotiate with the record company so that they will pay the costs of = sample clearances (although these costs will generally be recouped by = the record company from your future royalties). When should you seek permission? It is better to do it at a time = when you can remove the sample if you can't reach agreement with the = copyright owner. If the record has already been released, and the = copyright holder realises they have got you over a barrel, you can = expect to pay accordingly. And there is also that old music lawyers = saying - "first the hit, then the writ". On the other hand, your request will alert the other party to your = use of the sample when it might have otherwise gone unnoticed. If they = refuse grant you a licence, and you use the sample anyway, this may go = against you later when you may wish to argue that a clearance was n = necessary as the sample was not substantial. Again, you will need to = make your own judgment according to the circumstances. Securing a licence The first step is to determine who the relevant copyright owner = is. If you use a sample of recording you will need to obtain permission = from the owners of the musical work, the lyrics relevant) and the sound = recording. If you re-record part of the musical work yourself you will = not need to clear this with the owner of the sound recording. Remember = that you may be dealing with two separate parties, generally a record = company and a music publisher, in relation to the one sample. Organisations such as ARIA and AMCOS may able to assist you in = tracking down the relevant parties. There are also a number of US firms, = such as Sample Clearance Ltd, who can negotiate licence for you. There = is no standard fee in relation to sample licences. It is completely a = matter for negotiation between the parties. Payment can a flat fee, a = royalty or a combination of these. Generally you will require a non-exclusive licence, in perpetuity, = throughout the world. If you wish ensure that no-one else will be = granted permission to use the sample, you may seek an exclusive licence, = although this may be difficult to obtain. It is very important to make sure that you are dealing with the = right person - that is, that they are actually entitled to grant you the = licence. It essential that you must, as part of the licence obtain a = warranty from them that they own copyright in the material that they are = licensing to you and that the licence will not infringe the rights of = any third party. They must also indemnify you against any losses that = you might suffer as a result of their breach of this warranty. Finally, = make sure you have got original copies of the paper work, signed by all = parties, stored in a safe place for future reference if necessary. Happy sampling!=20 ___________________________________ =20 =20 BACKGROUND - Who is Michael Easton?=20 Michael is a solicitor employed at Brett Oaten Solicitors, an = entertainment law firm based in Sydney. Michael can be contacted by = email: michael@brettoaten.com.au =20 =20 ___________________________________ =20 =20 Interested in more songwriting tips?=20 Visit the 'Songwriting Tips' page and ARCHIVES at Kismana Music = for more useful information and tips. =20 =20 = _________________________________________________________________________= _________ =20 =20 =20 = _________________________________________________________________________= _________ =20 =20 FEATURED CD=20 =20 Title: Gus McKay, ALL ABOUT FLIGHT DESCRIPTION:=20 A blend of grass roots country, folk and blues lends a unique = signature to Gus McKay's debut album. Laid back and lean, All About = Flight is understated in its delivery but McKay's resonant vocals, = strong lyrics and minimalist production combine perfectly to give you = commanding performance. With the influences of Tony Joe White, Lyle = Lovett, David Bridie clearly felt and the 'who's who' of Perth Musicians = backing Gus, this album is a total listening experience. The West = Australian writes; "All About Flight contains all the ingredients of a = catchy sleeper."=20 =20 =20 Hear an MP3 sample from All About Flight and...Check out the = Kismana Ko-Op Catalogue for samples from other independent artists by... = CLICKING HERE=20 =20 ___________________________________ =20 =20 KISMANA KO-OP=20 Please note: If you are interested on joining the Kismana Ko-Op (a = co-operative of Independent Australian Artists) and have a quality = product that you feel would be suitable, please feel free to contact = me for details.=20 =20 = _________________________________________________________________________= _________ =20 =20 =20 = _________________________________________________________________________= _________ =20 =20 NETWORKERS' NICHE & NEWSWORTHY NOTES=20 If you want to make contact with other people in the industry = and/or put a message relating to music and songwriting in this section, = please contact me at: subscribetokis@dmn.com.au=20 (Please remember that if necessary, we have the right to vet as = well edit these messages and that the philosophy of these sites/artists = does not necessarily reflect that of K.I.S.!)=20 =20 ___________________________________ =20 =20 SONG CONTESTS:=20 a.. USA SONGWRITING COMPETITION - 2001 winners announced=20 Singer-Songwriter Steve Tannen of New York City clinched the = coveted Overall Grand prize with his song "Picture of You". He also won = first prize in Pop category with "Picture of You" and an honorable = mention award with his song "Sing Me To Sleep". =20 Congratulations to all winners and finalists! CLICK HERE for more = details on category winners .......................................................=20 a.. INTERNATIONAL SONG CONTESTS: Visit the International = Songwriters' Association (ISA) by CLICKING HERE for details and = information. =20 ___________________________________ =20 =20 NOMA MUSIC (U.S Based) IS LOOKING TO HEAR ORIGINAL MUSIC ... from = those who are interested in having their songs placed in television, = film, video, and commercials. R&B, Rap, Hip-Hop, Electronic music (with = and without vocals), Singer-Songwriters, World Music, and all Rock are = hot styles right now.=20 NOMA Music also works directly with hundreds of record label A&R = directors who are looking to sign acts to their labels. Visit = www.noma1.com for more information or phone (818)-566-8817 or (877) = 980-7700.=20 ____________________________________ ESTEEM ENTERTAINMENT (Australian based) is looking for music to = support the vision in one of their new video releases. The video footage = is related to Soccer, and music suitable to this type of activity is = required. The proposal is that Esteem Entertainment markets the video, = interested parties in the music are given a contact address where this = music can be sourced. Alternatively Esteem Entertainment can distribute = the music for the artist. Interested parties can contact David Osborne = on osborned10@bigpond.com. Musicians will need to outline how they will = ensure a quality standard of product, service and distribution if they = are going to undertake their own distribution.=20 ____________________________________ ASN TIP SHEET: Get your songs placed with producers, labels and = publishers with ASN (All Songwriters Network). ASN publishes monthly = tipsheets with updated music industry leads that are not found in music = directories. For more information, visit: ASN at = http://www.tiac.net/users/asn=20 THE FOLLOWING FREE TIPS ARE COURTESY OF ASN ... Kamkol Productions is seeking submissions from talented composers = as well as contact with music supervisors for this exciting indie = feature - Indian Cowboy. Submissions may be sent to: Kamkol Productions LLC 2227 US HWY #1, PMB 294, North Brunswick, NJ 08902 ................................................................. RECORD LABEL SEEKS UNSIGNED MUSICIANS Force MP Entertainment, LLC 1988A Innerbelt Business Center Dr. St. Louis, MO 63114 ................................................................. Canadian TV Series Searching For Music Canada's award-winning national television program Exhibit A, a = highly stylized documentary series on crime-solving, now in its fifth = season on the Discovery Channel and its first on CTV, is looking to = immediately license songs of all styles from independent labels and = publishers. All submissions, each including two copies of all = materials, should be sent to: Bob Lang c/o Exhibit A 451 Adelaide Street West Toronto, ON M5V 1T1, Canada NOTE: This is not a call for television or film composers. ................................................................. Would you be interested in submitting a cd for consideration by = Dawson's Creek, the tv show? If so, send to: Lisa Willinger c/o Granville Productions 9255 Sunset Blvd. Ste. 1000 Los Angeles, CA 90069 ................................................................. ASN publishes Monthly Tipsheet which includes leads from labels, = managers, entertainment attorneys and music producers with very specific = requests for songs for their artists - and usually pleased to get = response from writers & publishers all over the United States and overseas. These = specific leads are not found anywhere in usual music industry = directories like Music Industry Sourcebook, Billboard International = Buyers Guide or Songwriters Market. If you have any questions please e-mail ASN(All Songwriters = Network) at: asn@tiac.net or visit website at: http://www.tiac.net/users/asn/index.htm ____________________________________ =20 =20 What you should NOT know about the music industry: Eugene, a = K.I.S. reader, brought this very interesting article to my attention. = The introduction is reproduced here with a link to the rest of the = article for those interested...=20 What you should NOT know about the Music Business????? Record = executives, lawyers, promoters, etc...all pry on musicians that are = stupid and have no common sense about the record business - DON'T BE THE = IDIOT. Here is a slightly "in-depth" article about a few of the pitfalls = many musicians should be aware of before entering into any sort of = recording agreement. - Also, you as a music consumer should be made = aware of this information as to "why am I paying over $15, for a CD that = costs less than $1.00 to manufacture?!?" - Know the FACT$ ... know where = your money is REALLY going!!! This article is lengthy, please feel free = to print it out and distribute to anyone you feel might benefit from = this information. To read the whole article CLICK HERE . =20 =20 = _________________________________________________________________________= _________ =20 =20 WEB SITES=20 Artist Sites: Lara Stephen: If you missed Lara's CD Launch of her new release = 'Deep Dead Blue', visit her site and find out more about this = multi-talented, West Australian Artist Steve Tallis: Another talented West Australian artist with a = multitude of releases and tours. Currently Supporting Eric Burdon, visit = Steve's Site to find out more. =20 Shawn Harvey: The Ultimate Rock'n Roll Cyber boy hailing from the = UK.=20 =20 = _________________________________________________________________________= _________ =20 =20 =20 = _________________________________________________________________________= _________ =20 =20 RESOURCES ON THE NET=20 HARMONY CENTRAL have teamed up with Berklee College Press to offer = daily tips in the development of Music Business, Songwwriting, Guitar = and other instruments. Visit Harmony Central and subscribe to these = free tips. .......................................................... =20 =20 For more useful resources check out the LINKS page at Kismana = Music. = _________________________________________________________________________= ________ _=20 =20 =20 = _________________________________________________________________________= _________ =20 =20 LOCAL HAPPENINGS - Western AUSTRALIA=20 =20 CONTEMPORARY MUSIC TASKFORCE NEWS The Contemporary Music Taskforce, established by the State = Government in September to develop policy to administer the $5 million = funding commitment made prior to the last state election is keen to = explain the deferment of the $500 000 of funds for this year, to gather = ideas, and discuss strategies. This initiative has been set up to (among = other things) promote local musicians and bands, develop business skills = of musicians and provide opportunities for bands to tour regionally, = nationally and internationally.=20 Taskforce members wish to invite musicians, managers, venue = operators and other interested members of the WA Music Industry to an = informal chat over a beer and some light refreshments. This event will = be held in the beer garden of the Grosvenor Hotel on Monday 17th = December at 7.00pm. No need to RSVP, just show up on the night if you're = interested.=20 ......................................................... Invitation to all Musicians "MUSICIRCUS" By John Cage An Invitation to participate in the Premier Event for the Perth = International Arts Festival January 25th 2002. MusiCircus is based on = musical events held by revolutionary American composer JOHN CAGE =85=85. the MusiCircus is a model that envisions a utopian = possibility for humanity. It involves a horizontal, decentered, = non-judgemental community effort which includes all who wish to partake. = ( Kenneth Goldsmith - John Cage in America) What is Required for MusciCircus to HAPPEN? =B7As much music as can be played by all those who are willing to = perform without being paid. =B7Loud & Soft =B7Serious & Popular =B7Young & Old =B7Student Recitals=20 =B7Choirs =B7No Entrance Ticket or Payment Where Will MusiCircus be Performed?=20 Performance will be staged across the entire buildings& grounds = forming the Perth Cultural Centre Wall-to- wall music, Ceiling-to- floor sound Auditoriums, = rehearsal rooms, stairways, hallways, balconies and roofs Performed over the duration of three Hours 5pm - 8pm. To become involved in this Event please call The Perth = International Festival on: 08 9380 8627 or email = ecressey@perthfestival.com.au ......................................................... PERTH BLUES CLUB CHRISTMAS PARTY - This Tuesday 18th December at = the Charles Hotel (509 Charles St, Nth Perth). Featuring Perth's own = Fret Melter, Dave Hole. Limited tickets available at the Charles Hotel = and from the Perth Blues Club (Inc.). Door prize, raffles and more.=20 =20 = _________________________________________________________________________= _________ =20 =20 =20 = _________________________________________________________________________= _________ =20 =20 =20 CONTRIBUTIONS=20 If you would like to contribute to this newsletter by writing an = article, please feel free to contact me.=20 Thanks all and until next time...keep writing!=20 Regards=20 Connie Kis=20 ______________________________________ If anyone receiving a forwarded copy of this newsletter is = interested in future newsletters, please subscribe by clicking on the = following link and typing 'subscribe' in the message box:=20 subscribetokis@dmn.com.au=20 PRIVACY POLICY:=20 I will never abuse the privilege of having you as a subscriber. I = will not give out your email address to anyone unless I first seek and = gain permission from you.=20 = _________________________________________________________________________= ________ Kismana Music Supporting Songwriters and Independent Artists.=20 Web Site: http://www.kismana.com.au=20 for Songwriting Resources, CD releases from Independent Australian = Artists and MP3 samples of their work.=20 _________________________________________ P.O. Box 1254 Bentley DC 6983 Western Australia=20 Ph/Fax: + 61 - 8 - 9367 9340=20 Email: info@kismana.com.au=20 ________________________________________________________________ If you don't wish to be sent any future newsletters, please just = click on the link below with 'remove' in the subject box. Thank you.=20 PLEASE also indicate which email address/es you wish to have = removed!=20 removefromkis@dmn.com.au=20 =20 =20 =20 TOP CONTENTS KISMANA MUSIC DIRECTORY ABOUT US PRODUCTS = SERVICES SONGWRITING TIPS SONG CATALOG NEWSLETTER ARCHIVES = SONGWRITING TIPS - ARCHIVES LINKS EMAIL =20 =20 =20 =20 ------=_NextPart_001_0002_01C18541.2FB760C0 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable K.I.S. Newsletter December 2001
 

Volume=20 2, Issue 6. December 2001

Season's greeting to = all! 

Welcome to the December issue of = K. I. S.=20

(The newsletter for=20 Keen=20 Independent=20 Songwriters)

As always, I hope you find the information in this edition = useful.

May providence treat you well, the festive season bring you = happiness=20 and in these extra ordinary times, may we still "Give Peace a = Chance".

Warm regards and I'll be in touch in February 2002 with the = next=20 issue.

Connie Kis

..........................................................

This E-zine has been sent to you in html = format.  To=20 view the whole page (rather than using scroll bars to view your = e-mail),=20 just CLICK=20 HERE and = use your web=20 browser to read it.  Remember too, that by pressing the 'F11' = button=20 you can also get a full screen version.

PS: If you know others who might be interested in = receiving=20 this newsletter, please feel free to forward this on and get them = to=20 'subscribe' by clicking on the link below.

Subscribe

..........................................................
&nbs= p;=20


APOLOGY: I apologise = sincerely=20 to anyone who has received this newsletter in error or more than = once=20 (please let me know if you are receiving multiple issues and = through which=20 addresses).

To be removed from the mailing list, please just = scroll to=20 the end and follow=20 the instructions.

(Don't = forget to=20 indicate which addresses you wish to have removed if you use more = than=20 one! = )

_____________________________________________________________________= ___________
 =20

CONTENTS

In this = issue...

1.  Composing / = songwriting=20 tips - by Michael = Easton,=20 Solicitor (Lawyer) for Brett = Oaten=20 Solicitors=20

    • Music Sampling - Sampling is now an=20 established musical practice, although it still generates = strong legal=20 debate.  The purpose of this article is to provide advice = for=20 musicians considering incorporating samples into their work.=20

2.  Featured CD=20

    • All About Flight - Gus McKay =

3.  Networkers Niche & = Newsworthy=20 Notes

      a)  Songwriting Competitions - USA = Songwriting=20 Competition announces winners

      b)  Material = Wanted=20 by;

          -  NOMA Music
          -  ESTEEM ENTERTAINMENT = requires=20 music for Instructional video (game) and = Website
          -  ASN=20 Tips sheet - Free Tips

      c)  What you = should NOT=20 know about the music industry  

      d)  Artist Websites:   =
                       &nb= sp;           =20     -  Lara=20 = Stephen
                &n= bsp;           &nb= sp;          =20 -  Shawn=20 = Harvey
                &nb= sp;           &nbs= p;          =20 -  Steve Tallis

4.  Resources on = the=20 Net  =20

      • Harmony Central

7.  Local Happenings in = Western=20 Australia=20

      • Musicians and Music Industry invited to give input to = Taskforce=20 on where government spending should be allocated=20
      • Performance Opportunity for local musicians at the Perth = International Festival=20
      • Perth Blues Club Christmas party
..........................................................= =20

PREVIOUS = ISSUES: View = the=20 ARCHIVES for = earlier issues=20 of K.I.S.

 

_________________________________________________________= _________________________________
 =20

SONGWRITING TIPS

Topic for December = 2001:=20 COPYRIGHT & MUSIC SAMPLING  by Michael Easton

The following article has been reproduced with kind permission = by the=20 author, Micheal Easton.

Michael is a solicitor employed at = Brett=20 Oaten Solicitors, an entertainment law firm based in Sydney. = Michael can=20 be contacted by email: michael@brettoaten.com.au

 =20

_________________________________

Sampling is now an = established=20 musical practice, although it still generates strong legal debate. = The=20 purpose of this article is to provide advice for musicians = considering=20 incorporating samples into their work...

Copyright

The = first step is=20 to understand the relevant copyright issues. There are generally = three=20 copyrights in a musical recording:

1.=20 Copyright in the musical work. This is generally = owned by the=20 musician who composed the song, or their music publisher;

2.=20 Copyright in any lyrics. This may or may not be = owned by=20 the same person who owns the copyright in the musical works; = and

3.=20 Copyright in the sound recording of the musical work. This is generally = owned by the=20 person or company who paid for the recording, often the record=20 company that released the sound recording.

Copyright means that the owner has a bundle of exclusive = rights,=20 including the right to make reproductions of all, or a substantial = part,=20 of that musical work, lyric or sound recording. This means that if = you=20 copy, without permission, a 'substantial part of a musical work, = lyric or=20 sound recording, copyright in which is owned by someone else, you = have=20 infringed that person's copyright.

What is a 'substantial part'? Can it be a short sample of a few = notes?=20 This is the $64 million question, and the aspect of sampling that=20 generates the most heat and light amongst lawyers. A rough rule is = that if=20 the sample is something that is recognisable, and it is appealing = enough=20 for you to want to use, it is probably substantial enough to = attract=20 copyright protection. The length of sample is not necessarily = relevant -=20 it is quality that matters, not quantity.

Interestingly, there is not much case law on this point as most = allegations of copyright infringement through sampling are settled = by=20 negotiation, which often involves the payment of a royalty to the = owner of=20 the sampled work.

Generally record companies are nervous about taking these = matters to=20 court because of cost and uncertainty, because they do not want = the court=20 to set an unfavourable precedent, and because they may have many = artists=20 themselves who use samples.

What should you do?

If you = want to=20 use a sample in a song you may need to get that sample cleared. = This means=20 contacting the relevant. copyright owner and requesting a licence=20 (permission) from them to allow you to use the sample.

You will need to make your own judgment according to the = circumstances,=20 but the factors you will need to consider in deciding when = permission is=20 required are the distinctiveness of the sample, the prominence of = your use=20 of the sample, and the extent of your use. Obviously, greater = caution is=20 required for a global release, than if you are getting 500 copies = made to=20 sell at pub gigs, even though the copyright issues are the = same.

If you are dealing with a record company, they always insist on = a=20 warranty that your recordings will not infringe anyone else's = copyright,=20 and an indemnity from you stating that you will be responsible for = any=20 losses they may suffer if you breach your warranty. Sometimes you = can=20 negotiate with the record company so that they will pay the costs = of=20 sample clearances (although these costs will generally be recouped = by the=20 record company from your future royalties).

When should you seek permission? It is better to do it at a = time when=20 you can remove the sample if you can't reach agreement with the = copyright=20 owner. If the record has already been released, and the copyright = holder=20 realises they have got you over a barrel, you can expect to pay=20 accordingly. And there is also that old music lawyers saying = - =20 "first the hit, then the writ".

On the other hand, your request will alert the other party to = your use=20 of the sample when it might have otherwise gone unnoticed. If they = refuse=20 grant you a licence, and you use the sample anyway, this may go = against=20 you later when you may wish to argue that a clearance was n = necessary as=20 the sample was not substantial.  Again, you will need to make = your=20 own judgment according to the circumstances.

Securing a licence

The = first step is=20 to determine who the relevant copyright owner is. If you use a = sample of=20 recording you will need to obtain permission from the owners of = the=20 musical work, the lyrics relevant) and the sound recording. If you = re-record part of the musical work yourself you will not need to = clear=20 this with the owner of the sound recording. Remember that you may = be=20 dealing with two separate parties, generally a record company and = a music=20 publisher, in relation to the one sample.

Organisations such as ARIA and AMCOS may able to assist you in = tracking=20 down the relevant parties. There are also a number of US firms, = such as=20 Sample Clearance Ltd, who can negotiate licence for you. There is = no=20 standard fee in relation to sample licences. It is completely a = matter for=20 negotiation between the parties. Payment can a flat fee, a royalty = or a=20 combination of these.

Generally you will require a non-exclusive licence, in = perpetuity,=20 throughout the world. If you wish ensure that no-one else will be = granted=20 permission to use the sample, you may seek an exclusive licence, = although=20 this may be difficult to obtain.

It is very important to make sure that you are dealing with the = right=20 person - that is, that they are actually entitled to grant you the = licence. It essential that you must, as part of the licence obtain = a=20 warranty from them that they own copyright in the material that = they are=20 licensing to you and that the licence will not infringe the rights = of any=20 third party.  They must also indemnify you against any losses = that=20 you might suffer as a result of their breach of this = warranty. =20 Finally, make sure you have got original copies of the paper work, = signed=20 by all parties, stored in a safe place for future reference if=20 necessary.

Happy sampling!

___________________________________
 =20

BACKGROUND -  = Who is=20 Michael Easton?

Michael is a solicitor employed at Brett Oaten Solicitors, an=20 entertainment law firm based in Sydney. Michael can be contacted = by email:=20 michael@brettoaten.com.au
 =20

___________________________________
 =20

Interested in more = songwriting=20 tips?

Visit the 'Songwriting=20 Tips' = page=20 and  ARCHIVES=20 at=20 Kismana Music for more useful information and tips.  =

_____________________________________________________________________= _____________
 =20

3DBack=20

_____________________________________________________________________= _____________
 =20

FEATURED=20 CD

3DSpank2 Title: Gus McKay, ALL ABOUT=20 FLIGHT
DESCRIPTION:
A = blend of grass=20 roots country, folk and blues lends a unique signature to Gus = McKay's=20 debut album.  Laid back and lean, All About Flight is=20 understated in its delivery but McKay's resonant vocals, strong = lyrics and=20 minimalist production combine perfectly to give you commanding=20 performance.  With the influences of Tony Joe White, Lyle = Lovett,=20 David Bridie clearly felt and the 'who's who' of Perth Musicians = backing=20 Gus, this album is a total listening experience.  The West = Australian=20 writes; "All About Flight contains all the ingredients of a catchy = sleeper."
 

Hear an MP3=20 sample from All About = Flight=20 and...Check out the = Kismana = Ko-Op=20 Catalogue for samples from other independent artists by... = CLICKING=20 HERE

___________________________________
 =20

KISMANA KO-OP

Please note: If = you are=20 interested on joining the Kismana Ko-Op = (a co-operative of = Independent=20 Australian Artists) and have a quality product that you = feel would=20 be suitable, please feel free to   contact=20 me for = details.

_____________________________________________________________________= _____________
 =20

3DBack=20

_____________________________________________________________________= _____________
 =20

NETWORKERS' NICHE & NEWSWORTHY=20 NOTES

If you want to make = contact=20 with other people in the industry and/or put a message relating to = music=20 and songwriting in this section, please contact me at: = subscribetokis@dmn.com.au

(Please remember that if necessary, we have the right = to vet as=20 well edit these messages and that the philosophy of these = sites/artists=20 does not necessarily reflect that of K.I.S.!)

___________________________________
 =20

SONG CONTESTS:=20

  • USA SONGWRITING COMPETITION - 2001 winners announced =

Singer-Songwriter Steve = Tannen of=20 New York City clinched the coveted Overall Grand prize with his = song=20 "Picture of You". He also won first prize in Pop category with = "Picture of=20 You" and an honorable mention award with his song "Sing Me To = Sleep".=20  =20

Congratulations to all winners and finalists!  = CLICK = HERE for = more details=20 on category winners

.......................................................=20

  • INTERNATIONAL SONG CONTESTS: Visit the = International=20 Songwriters' Association (ISA) by CLICKING=20 HERE for details and=20 information. =

___________________________________
 =20

NOMA=20 MUSIC (U.S Based) = IS LOOKING=20 TO HEAR ORIGINAL MUSIC ... from those = who are=20 interested in having their songs placed in television, film, = video, and=20 commercials. R&B, Rap, Hip-Hop, Electronic music (with and = without=20 vocals), Singer-Songwriters, World Music, and all Rock are hot = styles=20 right now.
NOMA = Music also works=20 directly with hundreds of record label A&R directors who are = looking=20 to sign acts to their labels.  Visit www.noma1.com for more=20 information or phone (818)-566-8817 or (877) 980-7700.

____________________________________

ESTEEM ENTERTAINMENT (Australian=20 based) is looking = for music to=20 support the vision in one of their new video releases. The video = footage=20 is related to Soccer, and music suitable to this type of activity = is=20 required. The proposal is that Esteem Entertainment markets the = video,=20 interested parties in the music are given a contact address where = this=20 music can be sourced. Alternatively Esteem Entertainment can = distribute=20 the music for the artist. Interested parties can contact David = Osborne on=20 osborned10@bigpond.com. Musicians=20 will need to outline how they will ensure a quality standard of = product,=20 service and distribution if they are going to undertake their own=20 distribution.

____________________________________

ASN TIP SHEET: Get your = songs placed=20 with producers, labels and publishers with ASN (All Songwriters = Network).=20 ASN publishes monthly tipsheets with updated music industry leads = that are=20 not found in music directories.  For more information, visit: = ASN=20 at http://www.tiac.net/users/asn=20

THE FOLLOWING = FREE TIPS=20 ARE COURTESY OF ASN ...

Kamkol Productions is seeking=20 submissions from talented composers as well as contact with music=20 supervisors for this exciting indie feature - Indian Cowboy.  = Submissions may be sent to:

Kamkol Productions LLC
2227 = US HWY=20 #1, PMB 294,
North Brunswick, NJ=20 = 08902
................................................................= .
RECORD=20 LABEL SEEKS UNSIGNED MUSICIANS

Force MP = Entertainment,=20 LLC
1988A Innerbelt Business Center Dr.
St. Louis, MO=20 = 63114
................................................................= .
Canadian TV=20 Series Searching For Music
Canada's = award-winning=20 national television program Exhibit A, a highly stylized = documentary=20 series on crime-solving, now in its fifth season on the Discovery = Channel=20 and its first on CTV, is looking to immediately
license songs = of all=20 styles from independent labels and publishers.  All = submissions, each=20 including two copies of all materials, should be sent = to:

Bob=20 Lang
c/o Exhibit A
451 Adelaide Street West
Toronto, = ON
M5V=20 1T1, Canada
NOTE: This is = not a call=20 for television or film composers.
...............................................................= ..

Would you=20 be interested in submitting a cd for consideration by Dawson's = Creek, the=20 tv show?  If so, = send=20 to:

Lisa Willinger c/o Granville Productions
9255 Sunset = Blvd.=20 Ste. 1000
Los Angeles, CA=20 = 90069
................................................................= .
ASN=20 publishes Monthly Tipsheet which includes leads from labels, = managers,=20 entertainment attorneys and music producers with very specific = requests=20 for songs for their artists - and usually pleased to get response = from=20 writers
& publishers all over the United States and = overseas. These=20 specific leads are not found anywhere in usual music industry = directories=20 like Music Industry Sourcebook, Billboard International Buyers = Guide or=20 Songwriters Market.

If you have any questions please e-mail = ASN(All=20 Songwriters Network) at: = asn@tiac.net=20 or visit website at:
http://www.tiac.net/users/asn/index.htm

____________________________________
 =20

What=20 you should NOT know about the music industry:  Eugene, = a=20 K.I.S. = reader, brought=20 this very interesting article to my attention.  The = introduction is=20 reproduced here with a link to the rest of the article for those=20 interested...

What you should NOT know about the Music = Business????? =20 Record executives, lawyers, promoters, etc...all pry on musicians = that are=20 stupid and have no common sense about the record business - DON'T = BE THE=20 IDIOT. Here is a slightly "in-depth" article about a few of the = pitfalls=20 many musicians should be aware of before entering into any sort of = recording agreement. - Also, you as a music consumer should be = made aware=20 of this information as to "why am I paying over $15, for a CD that = costs=20 less than $1.00 to manufacture?!?" - Know the FACT$ ... know where = your=20 money is REALLY going!!!  This article is lengthy, please = feel free=20 to print it out and distribute to anyone you feel might benefit = from this=20 information. To read the whole article CLICK=20 HERE = .=20  

_____________________________________________________________________= _____________
 =20

WEB SITES =

Artist Sites:

Lara=20 Stephen: If you missed Lara's CD = Launch of=20 her new release 'Deep Dead Blue', visit her site and find out more = about=20 this multi-talented, West Australian Artist

Steve=20 Tallis: Another talented West = Australian=20 artist with a multitude of releases and tours. Currently = Supporting Eric=20 Burdon, visit Steve's Site to find out more. 

Shawn=20 Harvey:  The Ultimate = Rock'n Roll=20 Cyber boy hailing from the UK.

_____________________________________________________________________= _____________
 =20

3DBack=20

_____________________________________________________________________= _____________
 =20

RESOURCES ON THE NET

HARMONY=20 CENTRAL have teamed up with = Berklee=20 College Press to offer daily tips in the development of Music = Business,=20 Songwwriting, Guitar and other instruments.  Visit Harmony = Central=20 and subscribe to these free tips.

..........................................................
 <= /FONT>=20

For more useful = resources check=20 out the LINKS page = at Kismana=20 Music.

_____________________________________________________________________= ____________
_

3DBack=20

_____________________________________________________________________= _____________
 =20

LOCAL=20 HAPPENINGS - Western AUSTRALIA =

CONTEMPORARY MUSIC TASKFORCE NEWS

The Contemporary Music Taskforce, established by the = State=20 Government in September to develop policy to administer the $5 = million=20 funding commitment made prior to the last state election is keen = to=20 explain the deferment of the $500 000 of funds for this year, to = gather=20 ideas, and discuss strategies. This initiative has been set up to = (among=20 other things) promote local musicians and bands, develop business = skills=20 of musicians and provide opportunities for bands to tour = regionally,=20 nationally and internationally.

Taskforce members wish to invite musicians, managers, venue = operators=20 and other interested members of the WA Music Industry to an = informal chat=20 over a beer and some light refreshments. This event will be held = in the=20 beer garden of the Grosvenor Hotel on Monday 17th December at = 7.00pm. No=20 need to RSVP, just show up on the night if you're = interested.

.........................................................

Invitation = to all=20 Musicians
"MUSICIRCUS"
By
John = Cage
An=20 Invitation to participate in the Premier Event for the Perth = International=20 Arts Festival January 25th 2002. MusiCircus is based on musical = events=20 held by revolutionary American composer JOHN CAGE
=85=85. the = MusiCircus is=20 a model that envisions a utopian possibility for humanity.  = It=20 involves a horizontal, decentered, non-judgemental community = effort which=20 includes all who wish to partake. ( Kenneth Goldsmith - John Cage = in=20 America)

What is Required for MusciCircus to = HAPPEN?
=B7As much=20 music as can be played by all those who are willing to perform = without=20 being paid.
=B7Loud & Soft
=B7Serious & = Popular
=B7Young=20 & Old
=B7Student Recitals
=B7Choirs
=B7No Entrance = Ticket or=20 Payment

Where Will MusiCircus be Performed?
Performance = will be=20 staged across the entire buildings& grounds forming the Perth = Cultural=20 Centre

Wall-to- wall music, Ceiling-to- floor sound = Auditoriums,=20 rehearsal rooms, stairways, hallways, balconies and = roofs
Performed=20 over the duration of three Hours 5pm - 8pm.

To become = involved in=20 this Event please call The Perth International Festival on: 08 = 9380 8627=20 or email ecressey@perthfestival.com.au

.........................................................

PERTH BLUES CLUB CHRISTMAS PARTY - This = Tuesday 18th=20 December at the Charles Hotel (509 Charles St, Nth Perth).  = Featuring=20 Perth's own Fret Melter, Dave Hole.  Limited tickets = available at the=20 Charles Hotel and from the Perth = Blues Club=20 (Inc.). Door=20 prize, raffles and more.

_____________________________________________________________________= _____________
 =20

3DBack=20

_____________________________________________________________________= _____________
 =20

CONTRIBUTIONS

If=20 you would like to contribute to this newsletter by writing an = article,=20 please feel free to contact me.

Thanks all and until next time...keep writing!

Regards

Connie Kis

______________________________________

If anyone receiving = a=20 forwarded copy of this newsletter is interested in future = newsletters,=20 please subscribe by clicking on the following link and typing = 'subscribe'=20 in the message box:

subscribetokis@dmn.com.au

PRIVACY POLICY:

I will never abuse the privilege of having you as a subscriber. = I will=20 not give out your email address to anyone unless I first seek and = gain=20 permission from you.

__________________________________________________________________= _______________

Kismana=20 Music
Supporting = Songwriters and=20 Independent Artists.

Web Site: = http://www.kismana.com.au

for Songwriting Resources, CD releases from Independent = Australian=20 Artists and MP3 samples of their work.

_________________________________________

P.O. Box = 1254
Bentley DC=20 6983
Western Australia

Ph/Fax: + 61 - 8 - 9367 9340

Email: info@kismana.com.au

________________________________________________________________

If you=20 don't wish to be sent any future newsletters, please just = click on=20 the link below with 'remove' in the subject box. Thank you.

PLEASE = also = indicate=20 which email = address/es=20 you wish to have=20 removed!

removefromkis@dmn.com.au

 

 TOP  = CONTENTS  = KISMANA=20 MUSIC  =20 DIRECTORY  =20 ABOUT=20 US  =20 PRODUCTS  =20 SERVICES  = SONGWRITING=20 TIPS  =20 SONG=20 CATALOG  =20 NEWSLETTER=20 ARCHIVES  = SONGWRITING=20 TIPS  -  ARCHIVES  =20 LINKS  =20 EMAIL  =

 
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