From: "K.I.S. Newsletter" To: Subject: K.I.S. Newsletter July 2001.html Date: Wed, 3 Oct 2001 07:18:59 +0800 MIME-Version: 1.0 Content-Type: multipart/related; type="multipart/alternative"; boundary="----=_NextPart_000_0001_01C14BDB.ABC1A440" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.3018.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.3018.1300 This is a multi-part message in MIME format. ------=_NextPart_000_0001_01C14BDB.ABC1A440 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0002_01C14BDB.ABC1A440" ------=_NextPart_001_0002_01C14BDB.ABC1A440 Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable K.I.S. Newsletter July 2001 =20 =20 =20 Volume 2, Issue 4. July 2001=20 Hello everyone! Welcome to the July issue of K. I. S.=20 (The newsletter for Keen Independent Songwriters)=20 My extra curricular commitments to the local music industry have = made it a little difficult to get this newsletter out on a monthly basis = this year. Never-the-less, I hope you find the information in this = edition helpful. This E-zine has been sent to you in html format. To view the = whole page (rather than using scroll bars to view your e-mail), just = CLICK HERE and use your web browser to read it. Remember too, that by = pressing the 'F11' button you can also get a full screen version.=20 May providence treat you well and your muse be kind to you! Best regards Connie Kis ________________________=20 =20 =20 PS: If you know others who might be interested in receiving this = newsletter, please feel free to forward this on and get them to = 'subscribe' by clicking on the link below.=20 Subscribe=20 I apologise sincerely to anyone who has received this newsletter = in error or more than once (please let me know if you are receiving = multiple issues and through which addresses).=20 To be removed from the mailing list, please just scroll to the end = and follow the instructions.=20 Don't forget to indicate which addresses you wish to have removed = if you use more than one!=20 =20 =20 = _________________________________________________________________________= _______=20 =20 =20 CONTENTS=20 In this issue...=20 1. Songwriting tips - by Kim Copeland from Journey Music = Publishing=20 a.. Re-writes - are we done yet?=20 2. Featured CD=20 a.. Loony - Spank=20 3. Networkers Niche & Newsworthy Notes=20 a.. Australian Songwriting Competitions=20 a.. Musoz Challenge =20 b.. Music Lecturer wanted=20 c.. Pump Audio Services=20 d.. Web Sites=20 a.. New-look & Re-vamped=20 a.. Australian Songwriters' Association=20 b.. Pro-Copy - for Audio & Video duplication=20 b.. Artists=20 a.. Melissa Raser Weed=20 b.. Tun Si=20 4. Resources on the Net =20 a.. Just Plain Folks=20 b.. Jim Melko & NSAI=20 5. Local Happenings in Australia=20 a.. 5th National Entertainment Industry Conference - hosted = by IMMEDIA!=20 _________________________________ =20 =20 =20 PREVIOUS ISSUES: View the ARCHIVES for earlier issues of K.I.S. =20 =20 =20 = _________________________________________________________________________= _________________=20 =20 =20 SONGWRITING TIPS=20 The following article has been reproduced from the Songwriters = Connection Monthly E-Zine. =20 (=A9 2000 Journey Publishing Co., Inc. Reproduced with kind = permission. ) Topic for June 2001: RE-WRITES - are we done yet? by Kim Copeland=20 =20 =20 In the book, The Soul Of A Writer, Hall of Fame Songwriter Rory = Bourke says, "Great songs are not written; they are re-written". I have = also heard it said that no song is ever really finished. The good ones = just stop at interesting places. How then, do you know when to stop = writing? =20 The answer is, when your songwriter instincts tell you to. You = will never please everyone with any song, no matter how many rewrites = you do. However, you don't want to settle for less than what it could = be, simply because you are too close to your own song to fairly assess = its strengths and weaknesses. Ultimately, the song, like any creation, = must please its creator. The hope is that it will also please enough = other people to create an audience. The two most important criteria for knowing a song is finished = are: a) Does it fully and clearly express the intended idea or message, = and =20 b) Does it do so in a way that will make an audience care about = the idea or message? There are many obvious crafting mistakes you can check for in your = finished song. (I'm sure we all have a list or little voice that = reminds us of all of the criticisms we've ever received.) But knowing = when an idea has been explored to its fullest potential and presented in = the most interesting manner possible is much harder. The good news is = that you can hone your songwriter instincts by listening to those voices = of criticism with an open mind, and by comparing your songs to those you = wish you had written. Here are a few guidelines I use to determine whether I am through = writing an idea. =20 1. I like the story or emotion to have a beginning, middle and = end. Too many unresolved feelings or actions can leave the listener = unfulfilled. Even if you are writing an 'in the moment' emotional song, = try to give the listener some kind of payoff or punch line. 2. Will the listener be able to follow and understand the actions = or emotions of the singer? Does the song answer the who, what, where, = when, why and how, and does it lead the listener to the hook? 3. Does it evoke the intended emotion? Did you give the audience = a clear indication of what they are supposed to feel, and then remain true to it? Does it work? = Are they laughing when they should be crying? Maybe you were too clever = or not honest enough. 4. Does it involve the listener? Remember that the audience wants = to feel that the singer is having a one on one conversation with them = about something that affects them, or about an emotion that they share. = Make sure you have invited the listener to share the experience with = you. =20 5. Does it inspire the listener to do or feel something? Most of = us write because we want to share our feelings, experiences or = observations. To make people want to hear our advice, thoughts and = feelings, we have to show them how it relates to their own lives. =20 6. Is it honest? (You don't have to have lived every story you = write, but you do have to make the audience believe that you did.) =20 The fine tuning of your song is based less on rules and tools, and = more on instincts. Music is, after all, an emotional art form. Quite = often we don't know why we like a song; only that it is the right = combination of elements to make us respond emotionally. Always remember = that you are exchanging emotional energy with the listener. If you = don't make them feel something they have no incentive to listen. After you have finished (or think you have finished) writing your = next song, try to step out of your role as the writer, and become a = member of the audience. Close your eyes and listen as if you are = hearing it for the first time. Try not to anticipate where it is going. = Be honest with yourself. Does the lyric lead you on any detours? Does = the melody really make you feel something? Do you understand and = believe the emotion? Usually, this exercise will show you very clearly = where the weaknesses are, and how to fix them. When the song truly expresses what is in your heart in such a way = that others feel it in their hearts, you will know that you are through = writing it. In the end, it comes down to trusting your songwriters = instincts. =20 ___________________________________=20 =20 =20 BACKGROUND - Who is Kim Copeland? As well as being a writer, Kim is a regular performer at the = Nashville Country Showcase, and works a session singer in Nashville. = She runs her own publishing company and has also had several songs = published BMG Music. Kim is renowned as one of the most talented and = requested critiquers in the USA. Visit Kim Copeland and Susan Tuckers' site; Journey Publishing = for essential Information and Learning tools for Songwriters. =20 Subscribe to The Songwriters' Connection Monthly E-zine - another = great free service for songwriters.=20 =20 =20 ___________________________________=20 =20 =20 Interested in more songwriting tips?=20 Visit the 'Songwriting Tips' page and ARCHIVES at Kismana Music = for more useful information and tips. =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 FEATURED CD=20 =20 =20 Title: spank, loony = DESCRIPTION: Spank have an original sound very = much centering around the soaring vocals of Sascha Ion and comparable to = nothing else currently around. Sascha has been voted 'Most Popular = Female Vocalist' by Perth music punters for three consecutive years as = part of the Kiss My WAMI music festival ".=85when her shoulders hunch = up and that black river of sound comes pouring out of her body, there's = nothing you can do except gape in amazement". XPRESS MAGAZINE Spank = have toured nationally to great acclaim, and in the past two years have = toured Europe twice, building strong followings in Denmark, Holland, = Italy & Ireland. "A live act, Spank plays music that suggests angles = and edges." XPRESS Magazine =20 =20 =20 Hear an MP3 sample from Loony and...Check out the Kismana Ko-Op = Catalogue for samples from other independent artists by... CLICKING HERE = =20 =20 ___________________________________=20 =20 =20 KISMANA KO-OP=20 Please note: If you are interested on joining the Kismana Ko-Op (a = co-operative of Independent Australian Artists) and have a quality = product that you feel would be suitable, please feel free to contact = me for details.=20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 NETWORKERS' NICHE & NEWSWORTHY NOTES=20 If you want to make contact with other people in the industry = and/or put a message relating to music and songwriting in this section, = please contact me at: subscribetokis@dmn.com.au=20 (Please remember that if necessary, we have the right to vet as = well edit these messages and that the philosophy of these sites/artists = does not necessarily reflect that of K.I.S.!)=20 =20 =20 ___________________________________=20 =20 =20 AUSTRALIAN SONG CONTESTS:=20 a.. MUSOZ CHALLENGE - Entries close July 31st. For details = visit their WESITE.=20 _________________________________=20 a.. OTHER INTERNATIONAL SONG CONTESTS:Visit out the = International Songwriters' Association (ISA) by CLICKING HERE for = details and information. =20 =20 ___________________________________=20 =20 =20 Music Lecturer wanted: Curtin University, WESTERN AUSTRALIA - Dawn = Bennett, Academic Team Leader at Curtin university writes; Dear Connie, I am looking for a new music lecturer here at Curtin, and I write = to ask for your help! I am trying to circulate this to the music = community as a whole, and I would be grateful for your help by = forwarding the email to anyone you know who may be of assistance.=20 =20 Many thanks,=20 =20 Dawn Duty Statement, Selection Criteria and further information can be = obtained by contacting; telephone (61 8) 9088 6736, facsimile (61 8) = 9088 6997, Email bignells@kalg.curtin.edu.au = ____________________________________ Pump Audio Services: Rob Tourtelot, Artist relations at Pumpaudio = writes; Hi : I'm responding to your posting on the Indie Link Exchange. I = thought you or perhaps artists you work with might be interested in my = company,Pump Audio's services. My partners and I are agents for = independent music. We don't go out and find record deals for our = artists; what we do is earn them money by placing their music in TV, = film, advertising agencies, CD-ROMs and game companies. We don't charge = a fee or ask for any sort of exlusive arrangement. All of us are = musicians, some of us former major label artists. What we're doing = doesn't ask the artist to sign anything over to us. We don't ask for any = exclusive commitment, only the permission to go out and find placements = on behalf of independent artists. Our most recent work has included placing our artists in MTV's The = Real World, The Sports Illustrated Swimsuit Issue Uncensored, WWF and = The Tom Green Show, commercials for Margetoes Fertittes in NYC, and home = videos for Sony and Paramount. If you have questions you can visit the Pump Audio Site and = download the artist info pak or contact Rob Toutelot at = artistrelations@pumpaudio.com =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 WEB SITES=20 New Look Sites:=20 Australian Songwriters Association : for industry news, events, = song competition/s & networking.=20 Pro-Copy : for quality audio & video duplication needs at = competitive rates. Technical buffs can visit frequently for informative = recording & audio tips. Artist Sites: Melissa Raser Weed : If you missed Melissa's CD Launch of her new = release 'Memories', visit her site and find out more about this = multi-talented, West Australian Artist Tun Si : Rapper and Hip Hop fans - check out the music from this = hot independent artist. =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 RESOURCES ON THE NET=20 Just Plain Folks: A community of over 10,000 Songwriters, = Recording Artists, Music Publishers, Record Labels, Performing Arts = Societies, Educational Institutions, Recording Studios and Engineers, = Producers, Legal Professionals, Publicists and Journalists, = Publications, Music Manufacturers and Retailers and about every other = type of member of the Music Industry. Subscribe to the Just Plain Folks = newsletter. = _____________________________________________ Jim Melko's Site: Jim Melko is the Director of Learning Assistance = at the University of Dayton (UD) in Ohio and has a second career as a = country songwriter. He is also the local area coordinator for the = Dayton Cincinnati Area NSAI Workshop (Nashville Songwriters Association = International). Jim's site offers you the chance to check out their = local workshop's newsrag, called On Hold. You will find the huge = "Welcome Edition", which is a compilation of all the significant = articles in all the back issues, as well as the current one. I hope to = feature some of these articles in future issues of K.I.S. ___________________________________________ The Songwriters Connection: Essential Information and Learning = tools for Songwriters. The Site is owned by Journey Publishing, namely = Susan Tucker and Kim Copeland. =20 Subscribe to The Songwriters' Connection Monthly E-zine - another = great free service for songwriters.=20 =20 =20 ___________________________________=20 =20 =20 For more useful resources check out the LINKS page at Kismana = Music. = _________________________________________________________________________= _________=20 =20 =20 =20 =20 = _________________________________________________________________________= _________=20 =20 =20 LOCAL HAPPENINGS - AUSTRALIA=20 =20 =20 =20 5th NATIONAL ENTERTAINMENT INDUSTRY CONFERENCE The Technology Art & Business of Music Thursday - Saturday, August 2, 3 & 4 2001 at Sydney SuperDome Music industry publisher and conference producer IMMEDIA! = announces a combined three day music and entertainment industry = conference in Sydney with the final day's proceedings followed by the = third annual Australian Online Music Awards (ONYA! Awards) that will be = webcast globally. The conference, which will feature over 50 Australian and overseas = speakers, is a combination and extension of IMMEDIA!'s previous = successful event brands - The National Entertainment Industry Conference = held in odd years and the Music & Entertainment Media Online Conference = which debuted in August 2000. For further details contact: IMMEDIA! at www.immedia.com.au/entcon 20 Hordern Street Newtown, NSW 2042 Ph: (02) 9557 7766 Fx: (02) 9557 7788 E: tripp@immedia.com.au =20 =20 = _________________________________________________________________________= _________=20 =20 =20 CONTRIBUTIONS=20 If you would like to contribute to this newsletter by writing an = article, please feel free to contact me.=20 Thanks all and until next time...keep writing!=20 Regards=20 Connie Kis=20 ______________________________________ If anyone receiving a forwarded copy of this newsletter is = interested in future newsletters, please subscribe by clicking on the = following link and typing 'subscribe' in the message box:=20 subscribetokis@dmn.com.au=20 PRIVACY POLICY:=20 I will never abuse the privilege of having you as a subscriber. I = will not give out your email address to anyone unless I first seek and = gain permission from you.=20 = _________________________________________________________________________= ________ Kismana Music Supporting Songwriters and Independent Artists.=20 Web Site: http://www.kismana.com.au=20 for Songwriting Resources, CD releases from Independent Australian = Artists and MP3 samples of their work.=20 _________________________________________ P.O. Box 1254 Bentley DC 6983 Western Australia=20 Ph/Fax: + 61 - 8 - 9367 9340=20 Email: info@kismana.com.au=20 ________________________________________________________________ If you don't wish to be sent any future newsletters, please just = click on the link below with 'remove' in the subject box. Thank you.=20 PLEASE also indicate which email address/es you wish to have = removed!=20 removefromkis@dmn.com.au=20 =20 =20 =20 TOP KISMANA MUSIC DIRECTORY ABOUT US PRODUCTS SERVICES = SONGWRITING TIPS SONG CATALOG NEWSLETTER ARCHIVES SONGWRITING TIPS = - ARCHIVES LINKS EMAIL =20 =20 =20 =20 ------=_NextPart_001_0002_01C14BDB.ABC1A440 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable K.I.S. Newsletter July 2001
 

Volume=20 2, Issue 4. July 2001

Hello everyone!

Welcome to the July issue of = K. I. S.=20

(The newsletter for=20 Keen=20 Independent=20 Songwriters)

My extra curricular commitments to the local music industry = have made=20 it a little difficult to get this newsletter out on a monthly = basis this=20 year.  Never-the-less, I hope you find the information in = this=20 edition helpful.

This E-zine has been sent to you in html format.  To view = the=20 whole page (rather than using scroll bars to view your e-mail), = just=20 CLICK = HERE and = use your=20 web browser to read it.  Remember too, that by pressing the = 'F11'=20 button you can also get a full screen version.

May providence treat you well and your muse be kind to you!

Best regards

Connie Kis

________________________=20

PS: If you = know=20 others who might be interested in receiving this newsletter, = please feel=20 free to forward this on and get them to 'subscribe' by clicking on = the=20 link below.

Subscribe

I apologise sincerely to anyone who has received this = newsletter=20 in error or more than once (please let me know if you are = receiving=20 multiple issues and through which addresses).

To be removed from the mailing list, please just scroll to the=20 end = and follow=20 the instructions.

Don't forget to = indicate=20 which addresses you wish to have removed if you use more than one! =

_____________________________________________________________________= ___________=20

CONTENTS

In this = issue...

1.  Songwriting=20 tips - by Kim = Copeland  from=20 Journey Music Publishing=20

      • Re-writes - are we done yet?

2.  Featured=20 CD=20

      • Loony -=20 Spank

3.  Networkers Niche & = Newsworthy=20 Notes=20

      • Australian Songwriting Competitions=20
          • Musoz Challenge =20         =20
      • Music Lecturer = wanted=20
      • Pump Audio Services=20
      • Web Sites=20
          • New-look & Re-vamped=20
              • Australian Songwriters' Association=20
              • Pro-Copy - for Audio & Video duplication =
          • Artists=20
              • Melissa Raser Weed=20
              • Tun Si =

4.  Resources on = the=20 Net  =20

      • Just Plain Folks=20
      • Jim Melko & NSAI =

5.  Local Happenings in=20 Australia=20

      • 5th National Entertainment Industry Conference - hosted = by=20 IMMEDIA!

_________________________________

 

PREVIOUS = ISSUES: View = the=20 ARCHIVES for = earlier issues=20 of K.I.S.

 

_________________________________________________________= _________________________________=20

SONGWRITING TIPS

The following article = has been=20 reproduced from the Songwriters Connection = Monthly=20 E-Zine. 

(=A9 2000 Journey = Publishing=20 Co., Inc.  Reproduced with=20 kind permission. )

Topic for June 2001: RE-WRITES - = are we done=20 yet? by Kim = Copeland

In the = book, The=20 Soul Of A Writer, Hall of Fame Songwriter Rory Bourke says, = "Great=20 songs are not written; they are re-written".  I have also = heard it=20 said that no song is ever really finished.  The good ones = just stop=20 at interesting places.  How then, do you know when to stop=20 writing? 

The answer is, when your songwriter = instincts tell=20 you to.  You will never please everyone with any song, no = matter how=20 many rewrites you do.  However, you  don't want to = settle for=20 less than what it could be, simply because you are too close to = your own=20 song to fairly assess its strengths and weaknesses.  = Ultimately, the=20 song, like any creation, must please its creator.  The hope = is that=20 it will also please enough other people to create an=20 audience.

 The two most important criteria for knowing = a song=20 is finished are:


a) = Does it fully=20 and clearly express the intended idea or message,

and 

b) = Does it do so=20 in a way that will make an audience care about the idea or = message?


There are=20 many obvious crafting mistakes you can check for in your finished=20 song.  (I'm sure we all have a list or little voice that = reminds us=20 of all of the criticisms we've ever received.)  But knowing = when an=20 idea has been explored to its fullest potential and presented in = the most=20 interesting manner possible is much harder.  The good news is = that=20 you can hone your songwriter instincts by listening to those = voices of=20 criticism with an open mind, and by comparing your songs to those = you wish=20 you had written.

Here are a few = guidelines I=20 use to determine whether I am through writing an idea. =20

1. I like the story or = emotion to=20 have a beginning, middle and end.  Too many unresolved = feelings or=20 actions can leave the listener unfulfilled.  Even if you are = writing=20 an 'in the moment' emotional song, try to give the listener some = kind of=20 payoff or punch line.

2. Will the listener be = able to=20 follow and understand the actions or emotions of the singer?  = Does=20 the song answer the who, what, where, when, why and how, and does = it lead=20 the listener to the hook?

3. Does it evoke the = intended=20 emotion?  Did you give the audience a clear indication of = what=20 they
are supposed to feel, and then remain true to it?  = Does it=20 work?  Are they laughing when they should be crying?  = Maybe you=20 were too clever or not honest enough.

4. Does it involve the=20 listener?  Remember that the audience wants to feel that the = singer=20 is having a one on one conversation with them about something that = affects=20 them, or about an emotion that they share.  Make sure you = have=20 invited the listener to share the experience with you. =20

5. Does it inspire the = listener to=20 do or feel something?  Most of us write because we want to = share our=20 feelings, experiences or observations.  To make people want = to hear=20 our advice, thoughts and feelings, we have to show them how it = relates to=20 their own lives. 

6. Is it honest?  = (You don't=20 have to have lived every story you write, but you do have to make = the=20 audience believe that you did.) 

The fine tuning of = your song=20 is based less on rules and tools, and more on instincts.  = Music is,=20 after all, an emotional art form.  Quite often we don't know = why we=20 like a song; only that it is the right combination of elements to = make us=20 respond emotionally.  Always remember that you are exchanging = emotional energy with the listener.  If you don't make them = feel=20 something they have no incentive to listen.

After you have = finished=20 (or think you have finished) writing your next song, try to step = out of=20 your role as the writer, and become a member of the = audience.  Close=20 your eyes and listen as if you are hearing it for the first = time. =20 Try not to anticipate where it is going.  Be honest with=20 yourself.  Does the lyric lead you on any detours?  Does = the=20 melody really make you feel something?  Do you understand and = believe=20 the emotion?  Usually, this exercise will show you very = clearly where=20 the weaknesses are, and how to fix them.

When the song = truly=20 expresses what is in your heart in such a way that others feel it = in their=20 hearts, you will know that you are through writing it.  In = the end,=20 it comes down to trusting your songwriters=20 instincts.
   

___________________________________=20

BACKGROUND -  = Who is Kim=20 Copeland?

As well as being a writer, Kim is a regular performer at the = Nashville=20 Country Showcase,  and works a session singer in = Nashville.  She=20 runs her own publishing company and has also had several songs = published=20 BMG Music.  Kim is renowned as one = of the=20 most talented and requested critiquers in the USA.

Visit  Kim Copeland and Susan Tuckers' site; = Journey = Publishing for essential Information = and=20 Learning tools for Songwriters. 

Subscribe to = The Songwriters' = Connection=20 Monthly E-zine - another great = free=20 service for songwriters.=20

___________________________________=20

Interested in more = songwriting=20 tips?

Visit the 'Songwriting=20 Tips' = page=20 and  ARCHIVES=20 at=20 Kismana Music for more useful information and tips.  =

_____________________________________________________________________= _____________=20

3DBack=20

_____________________________________________________________________= _____________=20

FEATURED=20 CD

3DSpank2 Title: spank, = loony           &nb= sp;           &nbs= p;            = ;            =             &= nbsp;          =20 DESCRIPTION: Spank have an original sound very much = centering=20 around the soaring vocals of Sascha Ion and comparable to nothing = else=20 currently around. Sascha has been voted 'Most Popular = Female=20 Vocalist' by Perth music punters for three consecutive years as = part of=20 the Kiss My WAMI music festival  ".=85when her shoulders = hunch up=20 and that black river of sound comes pouring out of her body, = there's=20 nothing you can do except gape in amazement". XPRESS = MAGAZINE =20 Spank have toured nationally to great acclaim, and in the past = two=20 years have toured Europe twice, building strong followings in = Denmark,=20 Holland, Italy & Ireland.  "A live act, Spank plays = music that=20 suggests angles and edges."  XPRESS Magazine  =

Hear an = MP3=20 sample from Loony = and...Check out the=20 Kismana = Ko-Op = Catalogue for=20 samples from other independent artists by... CLICKING=20 HERE

___________________________________=20

KISMANA KO-OP

Please note: If = you are=20 interested on joining the Kismana Ko-Op = (a co-operative of = Independent=20 Australian Artists) and have a quality product that you = feel would=20 be suitable, please feel free to   contact=20 me for = details.

_____________________________________________________________________= _____________=20

3DBack=20

_____________________________________________________________________= _____________=20

NETWORKERS' NICHE & NEWSWORTHY=20 NOTES

If you want to make = contact=20 with other people in the industry and/or put a message relating to = music=20 and songwriting in this section, please contact me at: = subscribetokis@dmn.com.au

(Please remember that if necessary, we have the right = to vet as=20 well edit these messages and that the philosophy of these = sites/artists=20 does not necessarily reflect that of K.I.S.!)

___________________________________=20

AUSTRALIAN SONG = CONTESTS:=20

  • MUSOZ CHALLENGE - Entries close July = 31st.  For details visit their WESITE.

_________________________________=20

  • OTHER INTERNATIONAL SONG CONTESTS:Visit out the = International=20 Songwriters' Association (ISA) by CLICKING=20 HERE for details and=20 information. =

___________________________________=20

Music=20 Lecturer wanted:  Curtin University, WESTERN = AUSTRALIA=20 -=20 Dawn=20 Bennett, Academic Team Leader at Curtin university=20 writes;

Dear = Connie,

I=20 am looking for a new music lecturer here at Curtin, and I write to = ask for=20 your help!   I am trying to circulate this to the music=20 community as a whole, and I would be grateful for your help by = forwarding=20 the email to anyone you know who may be of assistance. =
 
Many=20 thanks,
 
Dawn

Duty Statement, = Selection=20 Criteria and further information can be obtained by contacting; = telephone=20 (61 8) 9088 6736, facsimile (61 8) 9088 6997, Email bignells@kalg.curtin.edu.au
           &nb= sp;           &nbs= p;            = ;     =20 ____________________________________

Pump Audio Services:  Rob Tourtelot, = Artist=20 relations at Pumpaudio writes;

Hi :
I'm responding to your posting on the Indie = Link=20 Exchange. I thought you or perhaps artists you work with might be=20 interested in my company,Pump Audio's services. My partners and I = are=20 agents for independent music. We don't go out and find record = deals for=20 our artists; what we do is earn them money by placing their music = in TV,=20 film, advertising agencies, CD-ROMs and game companies. We don't = charge a=20 fee or ask for any sort of exlusive arrangement. All of us are = musicians,=20 some of us former major label artists. What we're doing doesn't = ask the=20 artist to sign anything over to us. We don't ask for any exclusive = commitment, only the permission to go out and find placements on = behalf of=20 independent artists.
Our most recent work has included placing = our=20 artists in MTV's The Real World, The Sports Illustrated Swimsuit = Issue=20 Uncensored, WWF and The Tom Green Show, commercials for Margetoes=20 Fertittes in NYC, and home videos for Sony and=20 Paramount.
If you have questions = you can=20 visit the Pump Audio=20 Site  and download the = artist=20 info pak or contact Rob Toutelot at artistrelations@pumpaudio.com

 

_____________________________________________________________________= _____________=20

WEB SITES =

New Look Sites:

Australian=20 Songwriters Association : for industry news, = events, song=20 competition/s & networking.

Pro-Copy = : =20 for=20 quality audio & video duplication needs at competitive = rates. =20 Technical buffs can visit frequently for informative recording = & audio=20 tips.

Artist Sites:

Melissa Raser=20 Weed : If you missed Melissa's = CD Launch=20 of her new release 'Memories', visit her site and find out more = about this=20 multi-talented, West Australian Artist

Tun = Si = : Rapper = and Hip Hop=20 fans - check out the music from this hot independent artist.

 

_____________________________________________________________________= _____________=20

3DBack=20

_____________________________________________________________________= _____________=20

RESOURCES ON THE NET

Just Plain=20 Folks:=20 A community of over 10,000 Songwriters, Recording = Artists, Music=20 Publishers, Record Labels, Performing Arts Societies, Educational=20 Institutions, Recording Studios and Engineers, Producers, Legal=20 Professionals, Publicists and Journalists, Publications, Music=20 Manufacturers and Retailers and about every other type of member = of the=20 Music Industry. Subscribe to the Just Plain Folks newsletter.

         &nb= sp;           &nbs= p;            = ;      =20 _____________________________________________

Jim Melko's=20 Site: Jim = Melko is the=20 Director of Learning Assistance at the University of Dayton (UD) = in Ohio=20 and has a second career as a country songwriter.  He is also = the=20 local area coordinator for the Dayton Cincinnati Area NSAI = Workshop=20 (Nashville Songwriters Association International).  Jim's = site offers=20 you the chance to check out their local workshop's newsrag, called = On = Hold. = You will find=20 the huge "Welcome Edition", which is a compilation of all the = significant=20 articles in all the back issues, as well as the current one.  = I hope=20 to feature some of these articles in future issues of = K.I.S.

___________________________________________

The Songwriters=20 Connection: Essential=20 Information and Learning tools for Songwriters.  The Site is = owned by=20 Journey Publishing, namely Susan Tucker and Kim Copeland. =20

Subscribe to=20 The Songwriters' = Connection=20 Monthly E-zine - = another great=20 free service for songwriters. =

___________________________________=20

For more useful = resources check=20 out the LINKS page = at Kismana=20 Music.

_____________________________________________________________________= _____________

3DBack=20

_____________________________________________________________________= _____________=20

LOCAL=20 HAPPENINGS - AUSTRALIA

 

5th=20 NATIONAL ENTERTAINMENT INDUSTRY CONFERENCE
The Technology Art = & Business=20 of Music
Thursday - Saturday, August 2, 3 & 4 2001 at = Sydney=20 SuperDome

Music industry publisher and conference producer = IMMEDIA!=20 announces a combined three day music and entertainment industry = conference=20 in Sydney with the final day's proceedings followed by the third = annual=20 Australian Online Music Awards (ONYA! Awards) that will be webcast = globally.

The conference, which will feature over 50 = Australian and=20 overseas speakers, is a combination and extension of IMMEDIA!'s = previous=20 successful event brands - The National Entertainment Industry = Conference=20 held in odd years and the Music & Entertainment Media Online=20 Conference which debuted in August 2000.

For further = details=20 contact: IMMEDIA! at www.immedia.com.au/entcon
20 Hordern = Street
Newtown, NSW=20 2042
Ph: (02) 9557 7766
Fx: (02) 9557 7788
E: = tripp@immedia.com.au

_____________________________________________________________________= _____________=20

CONTRIBUTIONS

If=20 you would like to contribute to this newsletter by writing an = article,=20 please feel free to contact me.

Thanks all and until next time...keep writing!

Regards

Connie Kis

______________________________________

If anyone receiving = a=20 forwarded copy of this newsletter is interested in future = newsletters,=20 please subscribe by clicking on the following link and typing = 'subscribe'=20 in the message box:

subscribetokis@dmn.com.au

PRIVACY POLICY:

I will never abuse the privilege of having you as a subscriber. = I will=20 not give out your email address to anyone unless I first seek and = gain=20 permission from you.

__________________________________________________________________= _______________

Kismana=20 Music
Supporting = Songwriters and=20 Independent Artists.

Web Site: = http://www.kismana.com.au

for Songwriting Resources, CD releases from Independent = Australian=20 Artists and MP3 samples of their work.

_________________________________________

P.O. Box = 1254
Bentley DC=20 6983
Western Australia

Ph/Fax: + 61 - 8 - 9367 9340

Email: info@kismana.com.au

________________________________________________________________

If you=20 don't wish to be sent any future newsletters, please just = click on=20 the link below with 'remove' in the subject box. Thank you.

PLEASE = also = indicate=20 which email = address/es=20 you wish to have=20 removed!

removefromkis@dmn.com.au

 

 TOP  =20 KISMANA=20 MUSIC  =20 DIRECTORY  =20 ABOUT=20 US  =20 PRODUCTS  =20 SERVICES  = SONGWRITING=20 TIPS  =20 SONG=20 CATALOG  =20 NEWSLETTER=20 ARCHIVES  = SONGWRITING=20 TIPS  -  ARCHIVES  =20 LINKS  =20 EMAIL  =

 
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