Return-path: Received: from www1.aussie.com.au (aussie.com.au [203.166.17.131]) by email.dmn.com.au (Rockliffe SMTPRA 4.2.4) with ESMTP id for ; Thu, 17 May 2001 07:06:10 +0800 Received: from email.dmn.com.au ([203.62.199.2]) by www1.aussie.com.au (Post.Office MTA v3.1.2 release (PO205-101c) ID# 0-0U10L2S100) with ESMTP id AAA372 for ; Thu, 17 May 2001 07:11:33 +0800 Received: from kis (kewdale_server.www.kewdale.com.au [203.62.199.162]) by email.dmn.com.au (Rockliffe SMTPRA 4.2.4) with SMTP id for ; Thu, 17 May 2001 07:06:00 +0800 Message-ID: <003f01c0de5d$15339240$a2c73ecb@kis> From: "K.I.S. Newsletter" To: Subject: K.I.S Newsletter - February 2001 Date: Thu, 17 May 2001 07:08:12 +0800 MIME-Version: 1.0 Content-Type: multipart/related; type="multipart/alternative"; boundary="----=_NextPart_000_003B_01C0DEA0.22BFC260" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.3018.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.3018.1300 This is a multi-part message in MIME format. ------=_NextPart_000_003B_01C0DEA0.22BFC260 Content-Type: multipart/alternative; boundary="----=_NextPart_001_003C_01C0DEA0.22C76380" ------=_NextPart_001_003C_01C0DEA0.22C76380 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Volume 2, Issue 1. February 2001 =20 Welcome to the February 2001 issue of K . I .S .=20 (The newsletter for Keen I ndependent Songwriters)=20 =20 Hello all and best wishes for 2001! I guess it's still not too late to wish everyone a Happy New Year = especially since the last issue of this Ezine was in December. K.I.S. has turned one year old this month. When I started out putting = it together, I hoped that the Ezine would provide a service to people in = the music industry and at the same time help me grow in my own = professional pursuits. =20 =20 I hope that this year I can continue to deliver an even improved = service. =20 Best regards Connie Kis -------------------------------------------------------------------------= ------- In this issue... =20 =20 Contents a.. Songwriting tips - by Danny Arena & Sara Light a.. The Power of Simplicity a.. More advice (on copyright) - from Pat & Pete Luboff a.. Featured CD a.. Sydney ... Olympic City - Steve McNaughton a.. Networkers' Niche & Newsworthy Notes a.. Producer sought=20 b.. Street Teams - a new concept c.. HipHopHotSpot d.. Songwriting Competition results - International b.. Resources on the Net a.. The Buzz Factor a.. Local Happenings in Western Australia=20 a.. David Hyams concert dates -------------------------------------------------------------------------= ------- PREVIOUS ISSUES: =20 Please feel free to contact me for earlier issues of K.I.S. =20 -------------------------------------------------------------------------= ------- If you know others who might be interested in receiving this newsletter, = please feel free to forward this on and get them to 'subscribe' by = clicking on the link below.=20 subscribetokis@dmn.com.au =20 =20 I apologise sincerely to anyone who has received this newsletter in = error or more than once (please let me know if you are receiving = multiple issues and through which addresses). =20 =20 To be removed from the mailing list, please just scroll to the end and = follow the instructions. =20 Don't forget to indicate which addresses you wish to have removed if you = use more than one!=20 =20 -------------------------------------------------------------------------= ------- SONGWRITING TIPS=20 Topic for February 2001: THE POWER OF SIMPLICITY =A9 2000 Danny Arena/Sara Light. All rights reserved. =20 Reproduced with kind permission. =20 The Power of Simplicity As the boundaries of country music continue to expand, it's easy to get = so caught up in modulations and syncopated rhythms that we can forget = the power that a strong, simple melody can have. In my songwriting = classes, after covering several new musical techniques, I always make a = point of giving an assignment to write something simple musically. Simple Isn't Easy. While a melody may be described as "simple," the = writing of it is usually far from easy. It involves achieving a = perfectly natural balance between repetition and change so that the song = is easily singable, but not boring. In this column, we'll look at two = of the components that make up a strong, simple melody. We have a = tendency to think our own melodies may become dull when a musical phrase = is repeated two or three times. As a songwriter full of musical ideas, = it's easy to end up with a song that has too many melodic ideas. In = truth, some of the most well known melodies like, "Yesterday" = (Lennon/McCartney) and "Don't It Make My Brown Eyes Blue" (Leigh) rely = heavily on repetition. If one of our main goals as a songwriter is to = write something that's easily memorable, then by far the best technique = available is the power of repetition. Variation. The downside of repetition is that too much of it can bore = the listener. I like to think of it this way: =20 Suppose you were eating spaghetti with red sauce for dinner four nights = in a row. Probably by the time the third or fourth night rolled around, = you'd be tired of eating the same exact meal. Now, imagine that you = change the meal slightly each night: the first night - spaghetti with = red sauce; the second night - Chinese sesame noodles; the third night - = lasagna; the fourth night - penne pasta with garlic and olive oil. By = making a few changes, the same meal can still be satisfying. It's like = that with your music - a little variation goes a long way=20 An example. As an example of the power of repetition with change, let's = take a look at the recent John Michael Montgomery single, "Home To You" = written by Arlos Smith and Sara Light (my lovely wife). The verse = consists of a total of eight measures, but only two musical ideas, one = of which is the following two-measure pattern that starts the song: Example 1a: =20 What makes the melody particularly memorable is the fact that this = musical idea or motif is immediately repeated two more times (see = example 1b below).=20 By the time the second verse rolls around, the melody is very familiar. Example 1b: From the song, "Home To You" written by Sara Light & Arlos Smith.=A9 = 1999 Mamalama Music (ASCAP)/Good Ol Delta Boy Music (SESAC). All Rights = Reserved. Used by permission.=20 =20 Although the initial musical idea (in example 1a) is repeated three = times in a row, there are several subtle variations employed that help = keep us tuned in to the music, allowing the repetition to work its magic = without us becoming bored. Notice the first time the musical idea appears, the chord pattern is a G = chord followed by D (with an F# bass). But when the musical idea is = repeated, the chord pattern changes and an Em7 chord is substituted for = the G, which is then followed by C chord. This small harmonic variation = in chord structure the second time allows us to return to the initial = chord pattern again (G, D/F#) for the third time with fresh ears. Also, = notice that each time the two measure musical pattern repeats, the = melody begins the same, but ends a little differently. This is a type = of variation commonly known as melodic variation and it is often due to = the changing of the chords in the musical motif as in the case here. = Finally, notice that rhythm of the melody changes slightly each time the = musical phrase is repeated but is close enough to the original musical = idea that it still reinforces it.=20 So the next time you hear one of your favorite songs on the radio, try = to listen for some of those subtle variations in the music. They may be = small, but they can make a big difference. Hope to see you on the charts.=20 =20 Danny -------------------------------------------------------------------------= ------- BACKGROUND - Who are Danny Arena and Sara Light? Danny Arena is a songwriter, composer and professional songwriting = instructor. He holds degrees from Rutgers University in both computer = science and music composition. He developed his songwriting workshops = eight years ago at Billy Edd Wheeler's "Great Smokies Song Chase", where = he served as a songwriting faculty member. He is currently an Associate = Professor at Volunteer State Community College in Nashville, a member of = the faculty at Vanderbilt University and a columnist for the Nashville = Songwriter's Association International (NSAI) Newswire and American = Songwriter Magazine. Danny has been a guest lecturer at the Berklee = School of Music, Belmont University and the NSAI Spring and Summer = Symposiums. He is a regular songwriting instructor at the Nashville NSAI = Workshop Pro-Teaching series and the NSAI Song Camps. He has served as a = judge in several national songwriting contests. Every spring he = conducts his popular six-week songwriting "short courses" on Music = Theory, Composing and the Nashville Number System. He is currently a = signed staffwriter with Curb/Magnatone Music Publishing in Nashville. Sara Light is a professional songwriter who holds a Master's degree = from Rutgers University in English Education. While living in NJ, she = was an instructor at Rutgers University and studied lyric writing with = Sheila Davis from 1989 to 1992. After moving to Nashville to pursue = songwriting, she served as the Nashville Songwriter's Association = International (NSAI) membership director until 1996. She has been a = guest lecturer at several NSAI regional workshops, the Nashville NSAI = Workshop Pro-Teaching series and Belmont University. She has served as a = judge in several national songwriting contests and her popular class on = lyric writing has a waiting list. She is currently a faculty member at = Vanderbilt University and a full-time staff songwriter for Zamalama = Music. She wrote the John Michael Montgomery title cut and hit single, = "Home To You." Together, Danny and Sara teach their popular songwriting course The = Writer's Group which focuses on both the music and lyrics in current = chart topping country songs. They perform regularly as songwriters in = Nashville at the Bluebird Cafe. They have given songwriting seminars = throughout the US and Canada and have been married for nine (whew, made = another one :-) years. Please visit them at The Songwriting Education Resource for much more = information and invaluable songwriting tips & resources or E-mail them = about the workshops, courses and books they offer. -------------------------------------------------------------------------= ------- STOP PRESS - A couple of upcoming items of interest:=20 1. Danny and Sara will be hosting our annual Valentine's Show at the = Bluebird Cafe in Nashville on Saturday, February 10th (not the 14th) = from 6:30 - 8:30pm (Nashville time). They we will be joined by hit = songwriting couples Rick and Janis Carnes, Pat and Pete Luboff (last = issue's guest writers), Marcia Ramirez and Mike Waldron. The show will = be broadcast over the Internet via www.liveonthenet.com (free). 2. Sara will be a keynote speaker at this year's NSAI Music Row 2001 on = Friday, April 6th. Her talk will be on "Setting and Achieving Your = Songwriting Goals". You can get more details on the NSAI's website at = www.nashvillesongwriters.com -------------------------------------------------------------------------= ------- More advice (on copyright) - from Pat & Pete Luboff Pat and Pete Luboff were the special guest writers in the last issue of = K.I.S. Last year, they travelled extensively through the US teaching = and delivering songwriting workshops. They have written an interesting = in-depth travel log describing their travels and experiences. If you = would like to read the whole article, please feel free to contact them = directly or myself. In the meantime the following is an excerpt; Dear Songwriters, As we traveled across this great songwriting country, we saw a common = thread of fear in many writers. Over and over, we heard writers express = concern that their songs would be "stolen." Hey, stop that! You're = wasting time and energy that could be better spent in creating great = songs! Your songs are protected by the copyright law the minute you put them in = fixed form, i.e. on paper or tape or CD. You don't have to register = them for that protection, but you would have to register them before you = institute an infringement suit. The chances of that happening are too = minute to bother with. Even the largest publishing firms don't register = songs until something real, i.e., a commercially recorded release, is = happening with the song. And even registering them offers no protection = against infringement, just a means of proving a date of creation; you = still have to prove infringement in a lawsuit. Sending the songs to = yourself in a sealed envelope is no help at all. You wrote your song to share your ideas and feelings with the world. = Share them at every opportunity you have! Especially, bring them to = songwriting workshops where you can get good creative input on whether = you got your message across. Have people sign and date your lyric = sheets. They can serve as proof of date of authorship should the need = ever arise. If you write such a great song that someone "steals" it outright (and we = don't think anyone in their right mind would do that), you will have to = prove that you wrote it before they did, that they had access to it, and = that it is substantially the same song. It costs a lot of money to do = that so the song would have to be making a lot of money to make it worth = while. Worrying about any of this is nothing but a drain on your = creativity.=20 You know you are doing the right thing if you are going toward what you = want. You are doing the wrong thing if you are going away from what you = don't want. So keep your eyes on the prize, write more and better = songs! Write On, Pat & Pete Pete & Pat Luboff are songwriters, music publishers and songwriting = educators. As songwriters, they have had success with "Trust Me," the = first single on Snoop Dogg's "Topp Dogg" album, "I Wish He Didn't Trust = Me So Much," a No. 2 chart recording by Bobby Womack and currently on = Calvin Richardson's "Country Boy" album, "Body Language" by Patti = LaBelle (gold album) and the featured song in the John Travolta movie, = "The Experts," among others.=20 For almost 20 years, Pete conducted the Monday night workshops at the = National Academy of Songwriters in Los Angeles. Pete and Pat now conduct = Monday night workshops at the Music School on Music Row in Nashville. = Pete also taught advanced songwriting at UCLA for 13 years. The Luboffs = have traveled throughout the United States to teach and recently = completed a cross-country tour during which we conducted workshops in = every state from California to Tennessee.=20 Using lessons learned from songwriters around the country, they wrote = "88 Songwriting Wrongs and How to Right Them," published by Writer's = Digest Books, which has sold over 14,000 copies. An experiment in = teaching by collaborating with the writers in their workshops led to = their new book, "12 Steps to Building Better Songs." For more = information on the Luboffs' services for songwriters, please visit their = web site http://www.writesongs.com=20 =20 -------------------------------------------------------------------------= ------- Interested in more songwriting tips? =20 Visit the 'Songwriting Tips' page at Kismana Music for more tips on = keeping it simple by Danny and Sara. =20 Be sure to visit the ARCHIVES as well! -------------------------------------------------------------------------= ------- FEATURED CD Title: Steve McNaughton, SYDNEY.OLYMPIC CITY DESCRIPTION: A = tribute to Australia and in particular Sydney, the host of the 2000 = Olympics, the songs on this mini album will not only uplift and inspire = you but give you a feel for what Australia is about. Steve McNaughton = re-worked his previous Bi-centennial release, 'Sydney. You're so = Beautiful', and wrote 'Excellence from Every Land' as a welcome to = Olympic Athletes. The other two tracks are superb versions of earlier = Australian classics, 'Great Southern Land' and 'This is Australia'. = Overseas networks featured this music during the Olympics. =20 =20 Hear an MP3 sample from Sydney ...Olympic City and...Check out the = Kismana Ko-Op Catalogue for samples from other independent artists by... = CLICKING HERE=20 =20 KISMANA KO-OP Please note: If you are interested on joining the Kismana Ko-Op (a = co-operative of Independent Australian Artists) and have a quality = product that you feel would be suitable, please feel free to contact me = for details. -------------------------------------------------------------------------= ------- NETWORKERS' NICHE & NEWSWORTHY NOTES =20 If you want to make contact with other people in the industry and/or put = a message relating to music and songwriting in this section, please = contact me at: subscribetokis@dmn.com.au =20 (Please remember that if necessary, we have the right to vet as well = edit these messages and that the philosophy of these sites/artists does = not necessarily reflect that of K.I.S.!) =20 -------------------------------------------------------------------------= ------- Producer/songwriter wanted; Hello ... I'm a music composer in South Florida. I am looking for a = music producer or songwriter to help me out with these songs I wrote. = I'd like to collaborate with another good songwriter. The songs are = styled with reggae - techo - funk & rock. They can be found here: = http://www.acidbass.com/ If you want to remix any of my ideas, feel free! Just email me back and = I can send you all the individual tracks to do a remix. Or if you know = someone else who would be interested in this, Please fwd this to them. Thanks for your time, =20 -AB -------------------------------------------------------------------------= ------- =20 Global Street Team "The power of the world, at your feet" Our aim is to be the central network for street teams around the world. = If you're an artist/band, record label or promotional company, you = probably understand the importance of street teams. They can provide a = street level presence where it counts. How do you find members to join = your street team? It's easy! Global Street Team We have a network of members waiting to promote their favourite music = and music products. If your band or service provides promotional items = and you are in need of a database of thousands waiting to serve you, = contact us today. If you already have a street team, then join us. = There is a good chance we have members interested in your band/artist or = service. The services on this site are FREE to all that sign up. Global Street Team http://go.to/gsteam -------------------------------------------------------------------------= ------- =20 FOR HIP HOP ARTISTS & ENTHUSIASTS =20 HipHotHotSpot.Com strives to help hip hop artists promote themselves, = and their music to hip hop fans all over the world who crave ill hip hop = music. Being a good will organization we provide all of our services at = no cost. All free, Strictly hip hop.=20 We invite all artists, labels, publicists, magazines, media centers, = radio hosts, and fans to post hip hop albums reviews, hip hop artist = profiles, hip hop artist interviews, hip hop news, hip hop articles, = artist website urls, and more using our automated posting system. Your = voice is a powerful tool, and we encourage you to use this tool to = promote yourself, or your favorite artist who you think deserves to be = recognized.=20 -------------------------------------------------------------------------= ------- SONG CONTEST - USA SONGWRITING COMPETITION=20 Attention all songwriters, composers, bands, artists, lyricists! =20 Win a grand prize of over US $50,000 in cash & merchandise. Winners' = will be determined by top Music Industry Professionals. Enter in 15 = different categories - pop, rock, R&B and many more... Open to all, regardless of nationality. Judges include Walt Disney Music Publishing, Sony Music, Tommy Boy = Records, Warner/Reprise etc. Visit http://www.songwriting.net * for = more details. =20 (* Please note that in the last issue of K.I.S., I gave you the wrong = address. This is the correct one). STOP PRESS: An Australian has won the first prize of the USA Songwriting = Competition for the very first time! See: = http://www.songwriting.net/winners.html -------------------------------------------------------------------------= ------- RESOURCES ON THE NET Check out the BUZZ FACTOR and subscribe to it's associated E-zine for = invaluable networks and articles on the industry and self promotion for = the independent artist. -------------------------------------------------------------------------= ------- Local Happenings - Western Australia 2001 performances for "David Hyams and the Miles to Go band" ... Sun 18/2 Mandurah Foreshore "Touch the Sun" series concert 2-4pm = (Free) Sat 24/2 Houghtons Winery "Blarney Folk and Blues Concert" 9 pm - 9.30 = (starts 6pm with Los Chasquis, Ten Cent Shooters, Cahoots and others - = $18 presale $20 door) Sun 25/2 Manning Park Music Shell, Spearwood 6-8 pm (Free) Sat/sun 3-4 March Nannup festival=20 Fri/sat 20 -21 April : Fairbridge Festival (Friday night's concert will = be recorded for broadcast by ABC radio national's Music Deli). David's CD, ' Miles to Go ' is available through the Kismana Ko-Op and = Dark Horse Records -------------------------------------------------------------------------= ------- CONTRIBUTIONS=20 Finally, if you would like to contribute to this newsletter by writing = an article, please feel free to contact me. Thanks all and until next time...keep writing! Regards Connie Kis -------------------------------------------------------------------------= ------- =20 If anyone receiving a forwarded copy of this newsletter is interested in = future newsletters, please subscribe by clicking on the following link = and typing 'subscribe' in the message box: =20 =20 subscribetokis@dmn.com.au=20 =20 PRIVACY POLICY:=20 I will never abuse the privilege of having you as a subscriber. I will = not give out your email address to anyone unless I first seek and gain = permission from you. =20 -------------------------------------------------------------------------= ------- Kismana Music Supporting Songwriters and Independent Artists.=20 Visit our Web Site at: http://www.kismana.com.au/ for Songwriting Resources, CD releases from Independent Australian = Artists and MP3 samples of their work. -------------------------------------------------------------------------= ------- PO Box 1254 Bentley DC 6983 Western Australia Ph/Fax: + 61 - 8 - 9367 9340 Email: info@kismana.com.au -------------------------------------------------------------------------= ------- If you don't wish to be sent any future newsletters, please just click = on the link below with 'remove' in the subject box. Thank you.=20 =20 PLEASE also indicate which email address/es you wish to have removed! =20 removefromkis@dmn.com.au =20 ------=_NextPart_001_003C_01C0DEA0.22C76380 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
3D""
 
Volume 2,=20 Issue 1.  February 2001
 =20
Welcome to the February=20 2001 issue of  K .=20 I  .S . 
 
(The newsletter for Keen I ndependent Songwriters)
  
Hello all and best wishes for = 2001!
 
I guess it's still not too late to wish = everyone a Happy=20 New Year especially since the last issue of this Ezine was in=20 December.
 
K.I.S. = has turned=20 one year old this month.  When I started out putting it together, I = hoped=20 that the Ezine would provide a service to people in the music industry = and at=20 the same time help me grow in my own professional pursuits. =20
 
I hope that this year I can continue = to deliver an even improved service.  
 
Best regards
 
Connie Kis
 

In this issue...   
 
Contents
  • Songwriting tips = - by Danny Arena & Sara = Light
      • The Power=20 of Simplicity
  • More advice (on copyright) - from Pat = & Pete=20 Luboff
  • Featured CD
      • Sydney ... Olympic = City=20 - Steve McNaughton
  • Networkers' Niche & Newsworthy=20 Notes
      • Producer=20 sought=20
      • Street Teams - a new=20 concept
      • HipHopHotSpot
      • Songwriting=20 Competition results - International
     
  • Resources on the = Net
      • The=20 Buzz Factor
  • Local=20 Happenings in Western=20 Australia
      • David Hyams concert=20 = dates
    PREVIOUS = ISSUES: =20
    Please=20 feel free to contact me = for=20 earlier issues of K.I.S.
     
     
    If you know others who might be interested in = receiving=20 this newsletter, please feel free to forward this on and get them to = 'subscribe'=20 by clicking on the link below.
    subscribetokis@dmn.com.au
     
     
    I apologise sincerely to anyone who=20 has received this newsletter in error or more than once (please let = me know=20 if you are receiving multiple issues and through which addresses).  =
     
    To be removed from the mailing list, = please=20 just scroll to the end and follow the = instructions.
     
    Don't forget to = indicate which=20 addresses you wish to have removed if you use more than=20 one! 
     
     
    SONGWRITING TIPS=20

     Topic for February = 2001:  THE POWER OF SIMPLICITY

    =A9 2000 Danny Arena/Sara Light. All rights=20 reserved. 

    Reproduced with kind permission.

     

    The Power of=20 Simplicity

    As the boundaries of country music continue to = expand,=20 it’s easy to get so caught up in modulations and syncopated = rhythms that we can=20 forget the power that a strong, simple melody can have.  In my = songwriting=20 classes, after covering several new musical techniques, I always make a = point of=20 giving an assignment to write something simple musically.

     Simple Isn’t = Easy. =20 While a melody may be described as “simple,” the writing of = it is usually far=20 from easy.  It involves achieving a perfectly natural balance = between=20 repetition and change so that the song is easily singable, but not = boring. =20 In this column, we’ll look at two of the components that make up a = strong,=20 simple melody.  We have a tendency to think our own melodies may = become=20 dull when a musical phrase is repeated two or three times.  As a = songwriter=20 full of musical ideas, it’s easy to end up with a song that has = too many melodic=20 ideas.  In truth, some of the most well known melodies like, = “Yesterday”=20 (Lennon/McCartney) and “Don’t It Make My Brown Eyes = Blue” (Leigh) rely heavily=20 on repetition.  If one of our main goals as a songwriter is to = write=20 something that's easily memorable, then by far the best technique = available is=20 the power of repetition.

     Variation. = The downside=20 of repetition is that too much of it can bore the listener. I like to = think of=20 it this way:  

    Suppose you were eating spaghetti with red sauce = for=20 dinner four nights in a row.  Probably by the time the third or = fourth=20 night rolled around, you’d be tired of eating the same exact = meal.  Now,=20 imagine that you change the meal slightly each night: the first night -=20 spaghetti with red sauce; the second night – Chinese sesame = noodles; the third=20 night – lasagna; the fourth night – penne pasta with garlic = and olive oil. =20 By making a few changes, the same meal can still be satisfying.  = It’s like=20 that with your music – a little variation goes a long way =

    An example.  = As an example=20 of the power of repetition with change, let’s take a look at the = recent John=20 Michael Montgomery single, “Home To You” written by Arlos = Smith and Sara Light=20 (my lovely wife).  The verse consists of a total of eight measures, = but=20 only two musical ideas, one of which is the following two-measure = pattern that=20 starts the song:

    Example = 1a:

    3D""
     

    What makes the melody particularly memorable is = the fact=20 that this musical idea or motif is immediately repeated two more times = (see=20 example 1b below).

    By the time the second verse rolls around, the = melody is=20 very familiar.

    Example = 1b:

    3D""


    From the song, “Home To You” = written by Sara Light=20 & Arlos Smith.=A9 1999 Mamalama Music (ASCAP)/Good Ol Delta Boy = Music=20 (SESAC).  All Rights Reserved.  Used by=20 permission. 
     

    Although the initial musical idea (in example = 1a) is=20 repeated three times in a row, there are several subtle variations = employed that=20 help keep us tuned in to the music, allowing the repetition to work its = magic=20 without us becoming bored.

    Notice the first time the musical idea appears, = the chord=20 pattern is a G chord followed by D (with an F# bass).  But when the = musical=20 idea is repeated, the chord pattern changes and an Em7 chord is = substituted for=20 the G, which is then followed by C chord. This small harmonic variation = in chord=20 structure the second time allows us to return to the initial chord = pattern again=20 (G, D/F#) for the third time with fresh ears.  Also, notice that = each time=20 the two measure musical pattern repeats, the melody begins the same, but = ends a=20 little differently.  This is a type of variation commonly known as = melodic=20 variation and it is often due to the changing of the chords in the = musical motif=20 as in the case here.  Finally, notice that rhythm of the melody = changes=20 slightly each time the musical phrase is repeated but is close enough to = the=20 original musical idea that it still reinforces it.

    So the next time you hear one of your favorite = songs on=20 the radio, try to listen for some of those subtle variations in the = music. They=20 may be small, but they can make a big difference.

     Hope to see you on the charts.=20
     
    Danny

    BACKGROUND -=20 Who are Danny Arena and Sara Light?
     
     Danny Arena is a = songwriter,=20 composer and professional songwriting instructor. He holds degrees from = Rutgers=20 University in both computer science and music composition. He developed = his=20 songwriting workshops eight years ago at Billy Edd Wheeler's "Great = Smokies Song=20 Chase", where he served as a songwriting faculty member.  He is = currently=20 an Associate Professor at Volunteer State Community College in = Nashville, a=20 member of the faculty at Vanderbilt University and a columnist for the = Nashville=20 Songwriter's Association International (NSAI) Newswire and American = Songwriter=20 Magazine. Danny has been a guest lecturer at the Berklee School of = Music,=20 Belmont University and the NSAI Spring and Summer Symposiums. He is a = regular=20 songwriting instructor at the Nashville NSAI Workshop Pro-Teaching = series and=20 the NSAI Song Camps. He has served as a judge in several national = songwriting=20 contests.  Every spring he conducts his popular six-week = songwriting "short=20 courses" on Music Theory, Composing and the Nashville Number = System.  =20 He is currently a signed staffwriter with Curb/Magnatone Music = Publishing in=20 Nashville.
     
      Sara Light is a = professional=20 songwriter who holds a Master's degree from Rutgers University in = English=20 Education. While living in NJ, she was an instructor at Rutgers = University and=20 studied lyric writing with Sheila Davis from 1989 to 1992. After moving = to=20 Nashville to pursue songwriting, she served as the Nashville = Songwriter's=20 Association International (NSAI) membership director until 1996. She has = been a=20 guest lecturer at several NSAI regional workshops, the Nashville NSAI = Workshop=20 Pro-Teaching series and Belmont University. She has served as a judge in = several=20 national songwriting contests and her popular class on lyric writing has = a=20 waiting list.  She is currently a faculty member at Vanderbilt = University=20 and a full-time staff songwriter for Zamalama Music.  She wrote the = John=20 Michael Montgomery title cut and hit single, "Home To=20 You."
     
    Together, Danny and Sara = teach their=20 popular songwriting course The Writer's Group which focuses on both the = music=20 and lyrics in current chart topping country songs. They perform = regularly as=20 songwriters in Nashville at the Bluebird Cafe. They have given songwriting = seminars=20 throughout the US and Canada and have been married for nine (whew, made = another=20 one :-) years.
    Please visit them at  The Songwriting Education=20 Resource  = for much=20 more information and invaluable songwriting tips & resources or = E-mail = them=20 about the workshops, courses and books they offer.
     

    STOP = PRESS - A couple of upcoming items of=20 interest: 

    1.  Danny and Sara = will=20 be hosting our annual Valentine's Show at the Bluebird Cafe in Nashville = on=20 Saturday,  February 10th (not the 14th) from 6:30 - 8:30pm = (Nashville=20 time).  They we will be joined by hit songwriting couples Rick and = Janis=20 Carnes, Pat and Pete Luboff  (last issue's guest writers), = Marcia=20 Ramirez and Mike Waldron.  The show will be broadcast over the = Internet via=20 www.liveonthenet.com=20 (free).

    2. Sara will be a keynote speaker at this = year's NSAI=20 Music Row 2001 on Friday, April 6th.  Her talk will be on "Setting = and=20 Achieving Your  Songwriting Goals".  You can get more = details on=20 the NSAI's website at www.nashvillesongwriters.com

    More advice (on = copyright)=20 - from Pat & Pete Luboff

    Pat and Pete Luboff were the special = guest=20 writers in the last issue of K.I.S.  Last year, they travelled = extensively through the US teaching and delivering songwriting=20 workshops.  They have written an interesting in-depth travel log = describing=20 their travels and experiences.  If you would like to read the = whole=20 article, please feel free to contact them directly or myself.  In = the=20 meantime the following is an excerpt;

    Dear = Songwriters,

    As we traveled across this = great=20 songwriting country, we saw a common thread of fear in many writers. = Over and=20 over, we heard writers express concern that their songs would be = "stolen." Hey,=20 stop that!  You’re wasting time and energy that could be = better spent in=20 creating great songs!

    Your songs are protected by = the copyright=20 law the minute you put them in fixed form, i.e. on paper or tape or = CD. =20 You don’t have to register them for that protection, but you would = have to=20 register them before you institute an infringement suit.  The = chances of=20 that happening are too minute to bother with.  Even the largest = publishing=20 firms don’t register songs until something real, i.e., a = commercially recorded=20 release, is happening with the song.  And even registering them = offers no=20 protection against infringement, just a means of proving a date of = creation; you=20 still have to prove infringement in a lawsuit.  Sending the songs = to=20 yourself in a sealed envelope is no help at all.

    You wrote your song to share = your ideas=20 and feelings with the world.  Share them at every opportunity you=20 have!  Especially, bring them to songwriting workshops where you = can get=20 good creative input on whether you got your message across.  Have = people=20 sign and date your lyric sheets.  They can serve as proof of date = of=20 authorship should the need ever arise.

    If you write such a great song = that=20 someone "steals" it outright (and we don’t think anyone in their = right mind=20 would do that), you will have to prove that you wrote it before they = did, that=20 they had access to it, and that it is substantially the same song.  = It=20 costs a lot of money to do that so the song would have to be making a = lot of=20 money to make it worth while.  Worrying about any of this is = nothing but a=20 drain on your creativity.

    You know you are doing the = right thing if=20 you are going toward what you want.  You are doing the wrong thing = if you=20 are going away from what you don’t want.  So keep your eyes = on the prize,=20 write more and better songs!

    Write On,

    Pat &=20 Pete

    Pete & Pat Luboff are songwriters, = music=20 publishers and songwriting educators.  As songwriters, they have = had=20 success with "Trust Me," the first single on Snoop Dogg's "Topp Dogg" = album, "I=20 Wish He Didn't Trust Me So Much," a No. 2 chart recording by Bobby = Womack and=20 currently on Calvin Richardson's "Country Boy" album, "Body Language" by = Patti=20 LaBelle (gold album) and the featured song in the John Travolta movie, = "The=20 Experts," among others.

    For almost 20 years, Pete conducted the = Monday=20 night workshops at the National Academy of Songwriters in Los Angeles. = Pete and=20 Pat now conduct Monday night workshops at the Music School on Music Row = in=20 Nashville. Pete also taught advanced songwriting at UCLA for 13 years. = The=20 Luboffs have traveled throughout the United States to teach and recently = completed a cross-country tour during which we conducted workshops in = every=20 state from California to Tennessee.

    Using lessons learned from songwriters = around the=20 country, they wrote "88 Songwriting Wrongs and How to Right Them," = published by=20 Writer's Digest Books, which has sold over 14,000 copies.  An = experiment in=20 teaching by collaborating with the writers in their workshops led to = their new=20 book, "12 Steps to Building Better Songs."  For more information on = the=20 Luboffs' services for songwriters, please visit their web site=20 http://www.writesongs.com 
     

     Interested=20 in more songwriting tips? 
     
    Visit the 'Songwriting Tips' page at Kismana Music = for more=20 tips on keeping it simple by Danny and = Sara.
      =
     
    Be sure to visit the=20 ARCHIVES as = well!
     
    FEATURED=20 CD
     
     
    3D""

    Title: Steve McNaughton, SYDNEY…OLYMPIC CITY = DESCRIPTION: A tribute to Australia and in = particular=20 Sydney, the host of the 2000 Olympics, the songs on this mini = album will=20 not only uplift and inspire you but give you a feel for what = Australia is=20 about.  Steve McNaughton re-worked his previous Bi-centennial = release,   'Sydney… You're so Beautiful', and = wrote 'Excellence=20 from Every Land' as a welcome to Olympic Athletes.  The other = two=20 tracks are superb versions of earlier Australian classics, 'Great = Southern=20 Land' and 'This is Australia'.  Overseas networks featured = this music=20 during the=20 = Olympics.          =20

     
     
    Hear an MP3 sample from Sydney ...Olympic=20 City and...<= FONT=20 color=3D#ff9900>Check out the Kismana = Ko-Op=20 Catalogue for samples from other independent artists by...=20 CLICKING HERE =
     
    KISMANA=20 KO-OP
    Please note: If you are = interested on=20 joining the Kismana Ko-Op (a = co-operative of=20 Independent Australian Artists) and have a quality product that = you=20 feel would be suitable, please feel free to contact=20 me for details.
     
     
    NETWORKERS'=20 NICHE   &   NEWSWORTHY = NOTES
     
    If you want to make contact with other people in the = industry=20 and/or put a message relating to music and songwriting in this = section,=20 please contact me at: subscribetokis@dmn.com.au
     
    (Please remember that if=20 necessary, we have the right to vet as well edit these = messages and=20 that the philosophy of these sites/artists does not necessarily = reflect=20 that of K.I.S.!)
     
    Producer/songwriter=20 wanted;
    Hello ... I'm a music composer in South = Florida.   I am=20 looking for a music producer or songwriter to help me out with these=20 songs I wrote.  I'd like to collaborate with another good=20 songwriter.  The songs are styled with reggae - techo - funk &=20 rock.  They can be found here:  http://www.acidbass.com/

    If = you want=20 to remix any of my ideas, feel free!  Just email me back and I = can=20 send you all the individual tracks to do a remix.  Or if you know = someone=20 else who would be interested in this,  Please fwd this to=20 them.

    Thanks for your time,
     
    -AB
     
    Global Street Team  "The power of = the=20 world, at your feet"

    Our aim is to be the central network for = street=20 teams around the world. If you're an artist/band, record label or = promotional=20 company, you probably understand the importance of street teams. They = can=20 provide a street level presence where it counts. How do you find members = to join=20 your street team?  It's easy!  Global = Street=20 Team
    We have a network of members waiting to promote their = favourite  music=20 and music products.  If your band or service provides promotional = items and=20 you are in need of a database of thousands waiting to serve you, contact = us=20 today.  If you already have a street team,  then  join = us. There=20 is a good chance we have members interested in your band/artist or = service. The=20 services on this site are FREE to all that sign up.

    Global Street = Team  http://go.to/gsteam
     
    FOR HIP HOP ARTISTS &=20 ENTHUSIASTS
     
    HipHotHotSpot.Com= =20 strives to help hip hop artists promote themselves, and their music to = hip hop=20 fans all over the world who crave ill hip hop music.  Being a good = will=20 organization we provide all of our services at no cost. All free, = Strictly hip=20 hop.
     
    We invite all artists, labels, publicists, magazines, media = centers, radio hosts, and fans to post hip hop albums reviews, hip hop = artist=20 profiles, hip hop artist interviews, hip hop news, hip hop articles, = artist=20 website urls, and more using our automated posting system. Your voice is = a=20 powerful tool, and we encourage you to use this tool to promote = yourself, or=20 your favorite artist who you think deserves to be recognized. =
     
    SONG CONTEST - USA = SONGWRITING=20 COMPETITION
     
    Attention all songwriters, composers, bands, = artists,=20 lyricists! 
    Win a grand prize of over US $50,000 in cash = &=20 merchandise.  Winners' will be determined by = top=20 Music Industry Professionals.  Enter in 15 = different=20 categories - pop, rock, R&B and many more...
    Open to all, regardless of = nationality.
     
    Judges include Walt Disney Music Publishing, = Sony Music,=20 Tommy Boy Records, Warner/Reprise etc.  Visit  http://www.songwriting.net <= FONT=20 color=3D#ff0000>* for more details. 
    (* Please note=20 that in the last issue of K.I.S., I gave you the wrong address.  = This is=20 the correct one).
     
    STOP = PRESS: An=20 Australian has won the first prize of the USA = Songwriting Competition for=20 the very first time!   See:  http://www.songw= riting.net/winners.html
    RESOURCES ON = THE=20 NET
     
    Check out the BUZZ = FACTOR=20 and subscribe to it's associated E-zine for invaluable networks and = articles on=20 the industry and self promotion for the independent = artist.
     
    Local = Happenings=20 -  Western=20 Australia
     
    2001 performances for "David Hyams=20 and the Miles to Go band" ...

    Sun 18/2  Mandurah = Foreshore "Touch=20 the Sun" series concert  2-4pm (Free)
    Sat  24/2  Houghtons = Winery=20 "Blarney Folk and Blues Concert" 9 pm - 9.30 (starts 6pm with Los = Chasquis, Ten=20 Cent Shooters, Cahoots and others - $18 presale $20 door)
    Sun  25/2   = Manning Park=20 Music Shell, Spearwood   6-8 pm  (Free)
    Sat/sun  3-4 March Nannup = festival 
    Fri/sat  20 -21 April : = Fairbridge=20 Festival (Friday night's concert will be recorded for broadcast by ABC = radio=20 national's Music Deli).
     
    David's CD, ' Miles to = Go '=20 is available through the Kismana Ko-Op and Dark Horse=20 Records
    CONTRIBUTIONS 
    Finally, if you would like to contribute to this newsletter = by=20 writing an article, please feel free to contact me.
     
    Thanks all and until next time...keep = writing!
     
    Regards
     
    Connie Kis
     
     
    If anyone receiving a forwarded copy of this = newsletter is=20 interested in future newsletters, please subscribe by clicking on = the=20 following link and typing ‘subscribe’ in the message = box: 
     
     
    PRIVACY POLICY: 
    I will never abuse the privilege of having = you as a=20 subscriber.  I will not give = out your=20 email address to anyone unless I first seek and gain permission = from=20 you. 
     
     
    Kismana Music
    Supporting = Songwriters=20 and Independent Artists.
     
    Visit our Web Site at:   http://www.kismana.com.au/
     
    for Songwriting Resources, CD releases from Independent = Australian=20 Artists and MP3 samples of their work.
     
    PO Box 1254
    Bentley DC 6983
    Western = Australia
     
    Ph/Fax: + 61 - 8 - 9367 9340
     
     
     
    If you don’t wish to be sent any future newsletters, = please just=20 click on the link below with 'remove' in the subject box.  =20 Thank you.
     
    PLEASE also=20 indicate which email address/es you wish to=20 have removed! 
     
     
    removefromkis@dmn.com.au=
     
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