Return-path: Received: from www1.aussie.com.au (aussie.com.au [203.166.17.131]) by email.dmn.com.au (Rockliffe SMTPRA 4.2.4) with ESMTP id for ; Thu, 17 May 2001 07:12:35 +0800 Received: from email.dmn.com.au ([203.62.199.2]) by www1.aussie.com.au (Post.Office MTA v3.1.2 release (PO205-101c) ID# 0-0U10L2S100) with ESMTP id AAA174 for ; Thu, 17 May 2001 07:18:00 +0800 Received: from kis (kewdale_server.www.kewdale.com.au [203.62.199.162]) by email.dmn.com.au (Rockliffe SMTPRA 4.2.4) with SMTP id for ; Thu, 17 May 2001 07:12:27 +0800 Message-ID: <001901c0de5d$f8ed4d00$a2c73ecb@kis> From: "K.I.S. Newsletter" To: Subject: K.I.S Newsletter - November Date: Thu, 17 May 2001 07:14:34 +0800 MIME-Version: 1.0 Content-Type: multipart/related; boundary="----=_NextPart_000_0015_01C0DEA1.06797D20"; type="multipart/alternative" X-Priority: 3 X-MSMail-Priority: Normal X-Mailer: Microsoft Outlook Express 5.00.3018.1300 X-MimeOLE: Produced By Microsoft MimeOLE V5.00.3018.1300 This is a multi-part message in MIME format. ------=_NextPart_000_0015_01C0DEA1.06797D20 Content-Type: multipart/alternative; boundary="----=_NextPart_001_0016_01C0DEA1.06797D20" ------=_NextPart_001_0016_01C0DEA1.06797D20 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Volume 1, Issue 10. November 2000 =20 =20 Hello everyone! =20 Welcome to the November issue of K . I .S .=20 (The newsletter for Keen I ndependent Songwriters)=20 =20 -------------------------------------------------------------------------= ------- In this issue... =20 =20 Contents a.. Songwriting tips - by Irene Jackson a.. Putting Music to Lyrics b.. Tools of the Trade =20 a.. Featured CD a.. Metamorfosa - Earth Music a.. Networkers' Niche & Newsworthy Notes a.. Material Required b.. Resources on the Net =20 c.. Competitions =20 d.. Local Happenings PREVIOUS ISSUES: =20 Please feel free to contact me for earlier issues of K.I.S. =20 -------------------------------------------------------------------------= ------- If you know others who might be interested in receiving this newsletter, = please feel free to forward this on and get them to 'subscribe' by = clicking on the link below.=20 subscribetokis@dmn.com.au =20 =20 I apologise sincerely to anyone who has received this newsletter in = error or more than once. Please just scroll to the end and follow the = instructions to be removed from the mailing list. =20 Don't forget to indicate which addresses you wish to have removed if you = use more than one.=20 =20 -------------------------------------------------------------------------= ------- SONGWRITING TIPS=20 Topic for November 2000: =20 Putting Music to Lyrics & Tools of the Trade =20 by=20 Irene Jackson, Singer/Songwriter Reprinted with kind permission by the author. Q&A - Putting Music With Lyrics=20 Here's an email I recently received:=20 "Dear Irene,=20 I play guitar (lefty), just started, and i find it sometimes abit hard = to get songs i like (like, by famous people, from the radio, whatever) = abit hard to play, because i can't get the exact tune. So i wanted to = start writing my own songs. So i sat down to write some, and i couldn't. = i mean, i wrote a couple, but i can't seem to accompany my voice (which = isn't very good) with my guitar. i like chords more than notes, so i = just go through all the chords i know, just the main ones, and try to = fit it together. Anyway, the whole point of me writing, is to say = thankyou, you've helped me quite abit. But could you please put abit = more about putting music with lyrics." ... I began writing songs for the same reason you did...I couldn't play my = favourite radio hits! In fact, over the years I've met many songwriters = who started for the same reason.=20 When I was in Grade 12, I was given the opportunity to write some music = to several poems in the play "Through The Looking Glass". The idea was = that I would play and sing them during the performance with the cast...I = was put up in a loft at the back of the stage with a sound system. But = the first REAL challenge was writing the music. I had always come from = a "music first" place in my songwriting, and never before had tried it = the other way around, so when I first sat down with all of these strange = poems, I had no idea where to start. After succeeding with one of them, = the others came more easily. Here's what I learned, and what I use to = this day...maybe some of it will help you:=20 1. A song lyric should have a built in rhythm, or "meter"....which = means when you read it out loud, you can sense a beat to the words. = This will help you to establish the time signature...4/4 is most common, = four beats to the bar. Simply speaking, the strum pattern on your = guitar should reflect this time signature.=20 2. Before you even establish the chords, you need to find a melody that = matches the lyrics. Don't go near any instruments until you've tried = just singing the lyrics accapella (without accompaniment) and found a = melody. This takes practise! Look at the structure of the = verses...how many lines are there? Are the lines the same length of = syllables, or are they different? If you've got an even number of = lines, say 4 or 6, try singing one melody for the first line, and then = another for the second...repeat the first melody for the 3rd line and = the second melody for the 4th...see how that feels. Keep it simple. = When you get to the chorus, that should be a different melody. Try = singing it higher up...the chorus is a kind of climax, if you will, so = it needs to be more dramatic in some way. Raising the melody at the = chorus is one way of achieving that. If there is a bridge...sing that = differently too. Essentially, each part of the song has its own = mini-melody, but they all fit together. Creating a great melody is = not achieved instantly! Well, not in most cases anyway :-)=20 3. Let's assume you've found a melody...now what are the chords? There = are several ways you can go about this, most of them take time! First = of all, you can randomly look for a chord that "fits" what you're = singing. Knowing a little bit about chords will take you a long way. = Is it a sad song? Should the chords be minor chords, or is it upbeat? = Do you hear chords around it already in your head when you sing the = melody? If you play guitar and have a capo, use that as a means of = getting into a key that suits your voice and the melody...you don't have = to play barre chords or fancy progressions, just use the capo up the = neck until you find something that's close. Get yourself a chord book = and find out what chords are in a key...which chords go together, in = other words. Try out some of the other chords in the key you decide on. = =20 4. When should a chord change? This is where your "ear" really comes = in handy. When you listen to a song on the radio, can you hear when the = chord changes? If you can, you're already half way there. Start out = simply, by playing one chord all the way through the first verse, let's = call it "Chord 1"...when you hear that the melody doesn't "fit" that = chord, that's where you should change chords! Okay, so now you need to = find "Chord 2"...look in your chord book at all of the chords associated = with and in the same key as "Chord 1"...and try them each out. Most = likely, one of them will fit. So now we have "Chord 1" and "Chord 2". = Maybe your verse looks like this:=20 Chord 1 La, la, da da da, la, la, la=20 Chord 2 La, da da, la, da da=20 Is the rest of the verse repeating these phrases? Or are they different = somehow? If they are the same, use the same two chords again. If = they're not, try another "associated" chord, or a chord in the same key. = Now maybe you're getting a feel to your song. Use the same process for = the chorus, if you have a chorus, and the bridge, if there is one.=20 That is a beginner's approach to writing melodies/chords to = lyrics...remember to keep it simple! And when it gets "boring", make a = change! No one can write those melodies for you, it is something you = learn to develop in yourself over time and with much patience (and = sometimes none :-) Good luck!=20 Tools Of The Trade=20 I remember the first time I began to put together my little basement = office. I had all of the major pieces...the desk the chair, the = computer...but I was missing the little things. So it was with great = delight that I made my list and ran off to the local Office Depot to = find paper clips and pens and post-its to add to my collection of office = supplies. I kept all the receipts for tax time and placed everything = in neat little places, easily retrievable.=20 Nowadays, my office is a disaster area. I could care less about having = an "In Tray", there are piles of correspondence, lyric sheets, = magazines, cheques and bills everywhere. Okay, so I'm not perfect.=20 There are some things that I can't do without, however...I need them = near me at all times, especially my songwriting "tools"!=20 1. First and foremost...lots of paper and pens! I keep a big red = 3-ring binder with a thick supply of new lined paper in it...when I get = in the lyric-writing mode, I don't have to go far to find it, and a = constant supply of pens too. I keep everything I write, which means for = boxes of sheets of paper. I have some of the song lyrics I wrote when I = was 15 years old! When the binder gets too full, I pull out the used = papers, stick them all in a box, and refill the binder with more paper. = I have at least 5 pens in various places, all within reach in case of a = sudden brilliant idea :-), and usually a box of them in my desk = somewhere.=20 2. I also keep a Hook Book, although I didn't call it that until some = other songwriters I know referred to it that way. A hook book is a = small pad, essentially, that I carry with me whenever I'm away from = home. Those ferry rides between Vancouver Island and the mainland are = places when a line will just hit me. A must have!=20 3. I have a micro-cassette recorder that has saved a song more times = that I care to remember. I've been lazy enough to assume that I'm going = to remember something and two minutes later it's gone! That recorder = has tons of bits and pieces of music on it. I remember running off to = the bathroom at work once, humming something into it. I've also gotten = up in the middle of the night a few times, running downstairs to hum = something into it. Once a few months back, I had to come up with a = theme for a TV show and I was stuck! I decided to go for a walk and = took the recorder with me, and sure enough, within a few blocks I had an = idea. Just a quick glance around to see if anyone was looking...then I = hummed it into the recorder and finished my walk with a smile on my = face!=20 4. Probably the tool I've had the longest, as soon as I figured out how = to use one, was a thesaurus. Undeniably, many songs would never have = been finished without it. Sometimes I just have an essence of a thought = or feeling I want to express and by looking up different words that come = close to it, I will usually either find what I'm looking for, or get = another idea as I'm searching. Even when I'm not stuck on anything in = particular, I'll look through it sometimes and get ideas...=20 5. Which brings me to the dictionary...nothing is more depressing than = to figure out you've used a word the wrong way! Or, heaven forbid, sent = a lyric sheet out with something and misspelled a word! Of course, if = you've been using a word processor, there's always spellcheck these = days. But again, the process of just looking through a dictionary can = bring you to places you've never thought of going, lyrically, before.=20 6. I don't buy a lot of CD's, but I do tend to listen over and over to = the ones I do buy. If I'm enthralled with an artist or a song, I'll = obsess on it! And when I'm stuck for creative ideas, especially = musically, my listening repertoire will always inspire.=20 7. Guitars...I have three of them, and a bass. Sometimes just changing = guitars, going from acoustic to electric, or to my little Yamaha = classical, will turn a song around for me. I will play my songs = differently on different guitars! When it comes to arranging a song for = recording, this can come in really handy! I want more guitars. = Waahhh!!!=20 8. The Internet...so why the heck would I call that a tool? I can't = tell you how much the people I've met and the websites and newsgroups = I've visited have inspired and encouraged me as a songwriter. The = Internet literally brought me out of the closet...you'd think that the = opposite would have happened, but not for me! My website has attracted = many songwriters over the last 4 years and because of it, my songs have = had more exposure than I could ever imagine! BUT...the major boost for = me has come from other writers. When you are flat up against a wall = creatively speaking, chatting with another songwriter can ease it away. = Someone who knows what you're going through can help you get past = anything that might be in your way. Your best friend can only stare at = you helplessly, but another songwriter...that's another story!=20 Okay, so there's my small list. You might wonder why I don't list = songwriting books... I have only one! Songwriting books make me THINK = too much. And for me, thinking can be a total disaster when I'm trying = to write! Think about it :-) ... then again, maybe you shouldn't.=20 =20 -------------------------------------------------------------------------= ------- Background An accomplished performer and songwriter from Canada, Irene Jackson is = also well established as a guitar teacher on Vancouver Island and = produces her recordings through MOONSTONE PRODUCTIONS, her own company. = In 1993 she released her first independent recording "Foolishly = Fantasizing", and in 1997, she completed her first CD "Motor Scooter", = which she is promoting at performances in Vancouver, Victoria, Vancouver = Island and Seattle.=20 Irene has just released her latest CD...'undressed'!=20 This is essentially an acoustic solo album. It features the "best of" = three releases, including songs from Foolishly Fantasizing, Motor = Scooter and three acoustic versions of songs from the yet-to-be-released = CD, Catnip. =20 Visit Irene's CD page and have a look. RECENT CAREER HIGHLIGHTS=20 a.. Home Check theme and Get Up And Grow theme, airing all across = Canada, Japan & Africa.=20 b.. At Home With Herbs theme, airing on the Knowledge Network, WTN, in = Japan and Australia.=20 c.. Canadian Biker TV theme, airing all across North America on = Speedvision.=20 d.. Featured performer at Seattle's Northwest Folklife Festival, May = 1997 & 1999.=20 e.. Featured performer at the Steveston Salmon Festival, July 1997 & = 1998.=20 f.. Featured performer at Folkfest Victoria, July 1998.=20 g.. Completed a new CD Motor Scooter in 1997, her second release.=20 h.. California Tour with appearances in San Francisco and Los Angeles, = Summer 1999=20 For more background information about Irene and many more invaluable, = educational songwriting tips. Visit Irene's site by CLICKING HERE -------------------------------------------------------------------------= ------- Still interested in more songwriting tips? =20 Visit the 'Songwriting Tips' page at Kismana Music and clicking HERE to = get more tips and help from Irene Jackson. =20 Be sure to visit the ARCHIVES as well! -------------------------------------------------------------------------= ------- FEATURED CD Title: Earth Music, METAMORFOSA DESCRIPTION: = A first for world listeners! Featuring Indonesia's = foremost contemporary Jazz musicians and Gamelan performers combining = with a Western Rhythm section. Keeping in touch with the deep = traditions of Indonesian music, this CD is a panoply of the rich sounds = of the Gamelan, Kendang and Low Gongs, meshed with quirky melodies that = any music market can relate to. Hear an MP3 sample of Metamorfosa and...Check out the Kismana Ko-Op = Catalogue for samples from other independent artists by... CLICKING HERE = Or you can visit Parachute Records, the Indie Label responsible for this = release. KISMANA KO-OP Please note: If you are interested on joining the Kismana Ko-Op (a = co-operative of Independent Australian Artists) and have a quality = product that you feel would be suitable, please feel free to contact me = for details. -------------------------------------------------------------------------= ------- NETWORKERS' NICHE & NEWSWORTHY NOTES =20 If you want to make contact with other people in the industry and/or put = a message relating to music and songwriting in this section, please = contact me at: subscribetokis@dmn.com.au (Please remember that we have the right to vet these messages if = necessary!) =20 -------------------------------------------------------------------------= ------- COMPILATIONS & LABELS SEEKING MATERIAL =20 The following information has been reprinted from;=20 =20 The DiY Report #115 -- November 16, 2000 - Courtesy of Gajoob. =20 Published via e-mail 1- 3 times monthly. Subscriptions are free. =20 =20 CONTACT bryan@gajoob.com http://www.gajoob.com http://www.homemademusic.com COMPILATIONS Micromegaphone is a new micro-compilation series in search of noise/industrial/experimental/weird recordings. Contact: Radek Kopel. Postal Address: Radek Kopel, Lipova 1123, 43401 Most, Czech Republic. VIDEO & FILM TV BOY seeks music videos! Public Access cable show in NYC metro area = seeks music and other experimental videos for half-hour show currently = on-air. Send material on VHS tape. Contact: Chris, Mark, or MJB. Postal = Address: P.O. Box 1083, Millbrook, NY 12545. ONLINE DISTRIBUTORS Voice Records is currently taking submissions from women artists with professional quality CDs available for sale. We are a "niche" = internet distributor/label (and subsidiary of Joe Records) with exciting plans = to bring your music to the world wide web community and beyond! In the = works: exclusive internet radio station, massive networking and linking = of your own website to AudioKingdom.com, sellable MP3 downloads, = compilation CDs and much more. There is a $40 membership fee to join = which gives you full access to all of the Voice Records opportunities. = The income split is 50/50 and it is a non-exclusive distribution = agreement. Web Address: http://www.voicerecords.com . -------------------------------------------------------------------------= ------- RESOURCES ON THE NET=20 All Songwriters Network (ASN) This is a professional songwriting organization that provides monthly = music industry leads for the professional songwriter/publisher on our = monthly tipsheet If you are a prolific songwriter or publisher who demos = your own material, this organization is the one for you. It can help you = get your material to the right people.=20 PITCH your songs to producers, A&R managers, record labels, = entertainment lawyers and others in the industry. All updated tipsheets = are sent to subscribers every month, providing the songwriter with the = latest information on what material is needed by a particular listing.=20 TYPE OF MATERIAL: Pop, R&B, Country, Rock, instrumental, etc. The demos = must be clear, with vocals and background music in tune. In some cases = master quality demos are required, such as for T.V. and film listings. = ASN will not screen your material.=20 For a sample ASN monthly tipsheet: E-mail asn@tiac.net -------------------------------------------------------------------------= ------- SONGWRITERS RESOURCE NETWORK Have changed their domain address to; = http://www.songwritersresourcenetwork.com/ =20 Visit the Songwriters' Resource Network for News & information for = songwriters, including many current articles on the craft of songwriting = and the music business.=20 =20 -------------------------------------------------------------------------= ------- SONG CONTEST - USA SONGWRITING COMPETITION=20 Attention all songwriters, composers, bands, artists,lyricists! Win a grand prize of over US $50,000 in cash & merchandise. =20 Winners' will be determined by top Music Industry Professionals. Enter in 15 different categories - pop, rock, R&B and many more... Open to all, regardless of nationality. Judges include Walt Disney Music Publishing, Sony Music, Tommy Boy = Records, Warner/Reprise etc. Visit www.tiac.net/users/asn/ for more = details. -------------------------------------------------------------------------= ------- Local Happenings - Western Australia CD RELEASES =20 SPANK LAUNCH NEW ALBUM "lOoNy." Spank are launching their new album 'Loony' this Saturday night at the = Amplifier Bar, Perth. They will be joined by special guests, 'Fourth = Floor Collapse' and 'The (fabulous) Tigers'. Don't miss it! Coming Up No Flowers have existed at the fringes of the Perth music scene since = 1992 and have produced an eclectic collection of recordings.=20 Feel the Same is No Flowers second full length CD. The official release = date is the 1st of December 2000, and the band will be celebrating its = release with a gig at The Hyde Park Hotel. Come down and be blown away = by bands amazing live performance, it will be a night not to miss. -------------------------------------------------------------------------= ------- OTHER LOCAL EVENTS S.L.A.M. INDY 2000 at the NEWPORT HOTEL this SUNDAY 26 NOV from 5.30pm = - 10pm. 8 BANDS & 2 STAGES featuring; EFFIGY ! WOOKSTAR, JOOB, The JUNE BRIDES, RING PIECE, FOUR FEET AWAY , = ODDITY, WASTE OF SPACE and JAYD. =20 Be early, it promises to be huge and with summer warming things up ,what = a great beergarden to hang out, listen to bands and cool of with a few = beers with friends. =20 Tonight (Nov 23rd) - a unique 'Sensorium Aquatica' for land lubbers. = Get down to the Fly by Night Club where a 'Sci-Fi Grooverama Sensorium' = has been created. Look forward to interesting performances by bands, = Proton and Prawns With Horns as well as DJ's; BOZO, Harmony, Paul Malone and = Boogieman Krak. The entertainment also includes an opening and closing didgeridoo performance, from the maestro David Stockdale and = much much more. -------------------------------------------------------------------------= ------- Eastern States CD Launch =20 For Victorian readers, Resonance celebrates their CD launch at 'The = Punters Club', 376 Brunswick St, Fitzroy this Sunday November 26th at = 7.00pm. Their self-titled CD was described by Mark Rayner from Inpress = as ... =20 "peaceful,conjuring, intensely literate...free from folk fractured only = by discordant percussion" -------------------------------------------------------------------------= ------- CONTRIBUTIONS=20 Finally, if you would like to contribute to this newsletter by writing = an article, please feel free to contact me. Thanks all and until next time...keep writing! Regards Connie Kis -------------------------------------------------------------------------= ------- =20 If anyone receiving a forwarded copy of this newsletter is interested in = future newsletters, please subscribe by clicking on the following link = and typing 'subscribe' in the message box: =20 =20 subscribetokis@dmn.com.au=20 =20 PRIVACY POLICY:=20 I will never abuse the privilege of having you as a subscriber. I will = not give out your email address to anyone unless I first seek and gain = permission from you. =20 -------------------------------------------------------------------------= ------- Kismana Music Supporting Songwriters and Independent Artists.=20 Visit our Web Site at: http://www.kismana.com.au/ for Songwriting Resources, CD releases from Independent Australian = Artists and MP3 samples of their work. -------------------------------------------------------------------------= ------- PO Box 1254 Bentley DC 6983 Western Australia Ph/Fax: + 61 - 8 - 9367 9340 Email: info@kismana.com.au -------------------------------------------------------------------------= ------- If you don't wish to be sent any future newsletters, please just click = on the link below with 'remove' in the subject box. Thank you.=20 =20 PLEASE also indicate which email addresses you wish to have removed! =20 removefromkis@dmn.com.au =20 ------=_NextPart_001_0016_01C0DEA1.06797D20 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
3D""
 
Volume 1,=20 Issue 10.  November 2000
 
 
Hello everyone!
 
Welcome to the November issue = of =20 K . = I  .S=20 . 
 
(The=20 newsletter for Keen=20 I ndependent Songwriters)=20
 
In this issue...   
 
Contents
  • Songwriting tips = -   by Irene=20 Jackson
      •    Putting Music to=20 Lyrics
      •    Tools of the=20 Trade    
      =
  • Featured CD
      • Metamorfosa - Earth=20 Music
  • Networkers' Niche & Newsworthy=20 Notes
      • Material=20 = Required
      • Resources on the Net =20
      • Competitions   
        =
      • Local=20 Happenings
PREVIOUS = ISSUES: =20
Please=20 feel free to contact me = for=20 earlier issues of K.I.S.
 
 
If you know others who might be interested in = receiving=20 this newsletter, please feel free to forward this on and get them to = 'subscribe'=20 by clicking on the link below.
subscribetokis@dmn.com.au
 
 
I apologise sincerely to anyone who=20 has received this newsletter in error or more than once.  = Please=20 just scroll to the end and follow the instructions to be removed = from the=20 mailing list. 
Don't forget to indicate which addresses = you wish to=20 have removed if you use more than one. 
 
 
SONGWRITING TIPS=20

 Topic for November 2000: =20

   Putting Music to Lyrics=20 & Tools of = the=20 Trade    

by

Irene Jackson,=20 Singer/Songwriter

Reprinted with kind permission by the=20 author.


Q&A - Putting Music With = Lyrics=20
 
Here's an email I recently received:=20
 
"Dear Irene, =
 
I play guitar (lefty), just = started, and i=20 find it sometimes abit hard to get songs i like (like, by famous people, = from=20 the radio, whatever) abit hard to play, because i can't get the exact = tune. So i=20 wanted to start writing my own songs. So i sat down to write some, and i = couldn't. i mean, i wrote a couple, but i can't seem to accompany my = voice=20 (which isn't very good) with my guitar. i like chords more than notes, = so i just=20 go through all the chords i know, just the main ones, and try to fit it=20 together. Anyway, the whole point of me writing, is to say thankyou, = you've=20 helped me quite abit. But could you please put abit more about putting = music=20 with lyrics." ...
 
I began writing songs for the same = reason you=20 did...I couldn't play my favourite radio hits!  In fact, over the = years=20 I've met many songwriters who started for the same reason.=20
 
When I was in Grade 12, I was given = the=20 opportunity to write some music to several poems in the play "Through = The=20 Looking Glass".  The idea was that I would play and sing them = during the=20 performance with the cast...I was put up in a loft at the back of the = stage with=20 a sound system.  But the first REAL challenge was writing the = music. =20 I had always come from a "music first" place in my songwriting, and = never before=20 had tried it the other way around, so when I first sat down with all of = these=20 strange poems, I had no idea where to start.  After succeeding with = one of=20 them, the others came more easily.  Here's what I learned, and what = I use=20 to this day...maybe some of it will help you:
 
1.  A song lyric should have a = built in=20 rhythm, or "meter"....which means when you read it out loud, you can = sense a=20 beat to the words.  This will help you to establish the time=20 signature...4/4 is most common, four beats to the bar.  Simply = speaking,=20 the strum pattern on your guitar should reflect this time signature.=20
 
2. Before you even establish the = chords, you=20 need to find a melody that matches the lyrics.  Don't go near any=20 instruments until you've tried just singing the lyrics accapella = (without=20 accompaniment) and found a melody.  This takes = practise!   Look=20 at the structure of the verses...how many lines are there?  Are the = lines=20 the same length of syllables, or are they different?  If you've got = an even=20 number of lines, say 4 or 6, try singing one melody for the first line, = and then=20 another for the second...repeat the first melody for the 3rd line and = the second=20 melody for the 4th...see how that feels.   Keep it = simple.  When=20 you get to the chorus, that should be a different melody.  Try = singing it=20 higher up...the chorus is a kind of climax, if you will, so it needs to = be more=20 dramatic in some way.  Raising the melody at the chorus is one way = of=20 achieving that.  If there is a bridge...sing that differently = too. =20 Essentially, each part of the song has its own mini-melody, but they all = fit=20 together.    Creating a great melody is not achieved=20 instantly!  Well, not in most cases anyway :-) =
 
3.  Let's assume you've found a=20 melody...now what are the chords?  There are several ways you can = go about=20 this, most of them take time!  First of all, you can randomly look = for a=20 chord that "fits" what you're singing.  Knowing a little bit about = chords=20 will take you a long way.  Is it a sad song?  Should the = chords be=20 minor chords, or is it upbeat?  Do you hear chords around it = already in=20 your head when you sing the melody?  If you play guitar and have a = capo,=20 use that as a means of getting into a key that suits your voice and the=20 melody...you don't have to play barre chords or fancy progressions, just = use the=20 capo up the neck until you find something that's close.  Get = yourself a=20 chord book and find out what chords are in a key...which chords go = together, in=20 other words.  Try out some of the other chords in the key you = decide=20 on.  
 
4.  When should a chord = change?  This=20 is where your "ear" really comes in handy.  When you listen to a = song on=20 the radio, can you hear when the chord changes?  If you can, you're = already=20 half way there.  Start out simply, by playing one chord all the way = through=20 the first verse, let's call it "Chord 1"...when you hear that the melody = doesn't=20 "fit" that chord, that's where you should change chords!   = Okay, so=20 now you need to find "Chord 2"...look in your chord book at all of the = chords=20 associated with and in the same key as "Chord 1"...and try them each = out. =20 Most likely, one of them will fit.  So now we have "Chord 1" and = "Chord=20 2".  Maybe your verse looks like this:
 
Chord 1
La, la, da da da, la, la, = la=20
 
Chord 2
La, da da, la, da da=20
 
Is the rest of the verse repeating = these=20 phrases?  Or are they different somehow?  If they are the = same, use=20 the same two chords again.  If they're not, try another = "associated" chord,=20 or a chord in the same key.  Now maybe you're getting a feel to = your=20 song.  Use the same process for the chorus, if you have a chorus, = and the=20 bridge, if there is one.
 
That is a beginner's approach to = writing=20 melodies/chords to lyrics...remember to keep it simple!  And when = it gets=20 "boring", make a change!  No one can write those melodies for you, = it is=20 something you learn to develop in yourself over time and with much = patience (and=20 sometimes none :-)  Good luck!
 
 
Tools Of The Trade =
 
I remember the first time I began to = put=20 together my little basement office.  I had all of the major = pieces...the=20 desk the chair, the computer...but I was missing the little = things.  So it=20 was with great delight that I made my list and ran off to the local = Office Depot=20 to find paper clips and pens and post-its to add to my collection of = office=20 supplies.   I kept all the receipts for tax time and placed = everything=20 in neat little places, easily retrievable.
 
Nowadays, my office is a disaster = area.  I=20 could care less about having an "In Tray", there are piles of = correspondence,=20 lyric sheets, magazines, cheques and bills everywhere.  Okay, so = I'm not=20 perfect.
 
There are some things that I can't do = without,=20 however...I need them near me at all times, especially my songwriting = "tools"!=20
 
1.  First and foremost...lots of = paper and pens!  I keep a big red 3-ring = binder with a=20 thick supply of new lined paper in it...when I get in the lyric-writing = mode, I=20 don't have to go far to find it, and a constant supply of pens = too.  I keep=20 everything I write, which means for boxes of sheets of paper.  I = have some=20 of the song lyrics I wrote when I was 15 years old!  When the = binder gets=20 too full, I pull out the used papers, stick them all in a box, and = refill the=20 binder with more paper.  I have at least 5 pens in various places, = all=20 within reach in case of a sudden brilliant idea :-), and usually a box = of them=20 in my desk somewhere.
 
2.  I also keep a Hook=20 Book, although I didn't call it that until some other songwriters = I know=20 referred to it that way.  A hook book is a small pad, essentially, = that I=20 carry with me whenever I'm away from home.  Those ferry rides = between=20 Vancouver Island and the mainland are places when a line will just hit = me. =20 A must have!
 
3.  I have a micro-cassette recorder that has saved a song = more times=20 that I care to remember.  I've been lazy enough to assume that I'm = going to=20 remember something and two minutes later it's gone!  That recorder = has tons=20 of bits and pieces of music on it.  I remember running off to the = bathroom=20 at work once, humming something into it.  I've also gotten up in = the middle=20 of the night a few times, running downstairs to hum something into = it. =20 Once a few months back, I had to come up with a theme for a TV show and = I was=20 stuck!  I decided to go for a walk and took the recorder with me, = and sure=20 enough, within a few blocks I had an idea.  Just a quick glance = around to=20 see if anyone was looking...then I hummed it into the recorder and = finished my=20 walk with a smile on my face!
 
4.  Probably the tool I've had = the=20 longest, as soon as I figured out how to use one, was a thesaurus.  Undeniably, many songs would = never have=20 been finished without it.  Sometimes I just have an essence of a = thought or=20 feeling I want to express and by looking up different words that come = close to=20 it, I will usually either find what I'm looking for, or get another idea = as I'm=20 searching.  Even when I'm not stuck on anything in particular, I'll = look=20 through it sometimes and get ideas...
 
5. Which brings me to the dictionary...nothing is more depressing than to = figure out=20 you've used a word the wrong way!  Or, heaven forbid, sent a lyric = sheet=20 out with something and misspelled a word!  Of course, if you've = been using=20 a word processor, there's always spellcheck these days.  But again, = the=20 process of just looking through a dictionary can bring you to places = you've=20 never thought of going, lyrically, before.
 
6.  I don't buy a lot of CD's, but I do tend to listen over and over to = the ones I=20 do buy.  If I'm enthralled with an artist or a song, I'll obsess on = it!   And when I'm stuck for creative ideas, especially = musically, my=20 listening repertoire will always inspire.
 
7. Guitars...I have=20 three of them, and a bass.  Sometimes just changing guitars, going = from=20 acoustic to electric, or to my little Yamaha classical, will turn a song = around=20 for me.  I will play my songs differently on different = guitars!  When=20 it comes to arranging a song for recording, this can come in really = handy! =20 I want more guitars.   Waahhh!!!
 
8. The = Internet...so=20 why the heck would I call that a tool?  I can't tell you how much = the=20 people I've met and the websites and newsgroups I've visited have = inspired and=20 encouraged me as a songwriter.  The Internet literally brought me = out of=20 the closet...you'd think that the opposite would have happened, but not = for=20 me!  My website has attracted many songwriters over the last 4 = years and=20 because of it, my songs have had more exposure than I could ever = imagine! =20 BUT...the major boost for me has come from other writers.  When you = are=20 flat up against a wall creatively speaking, chatting with another = songwriter can=20 ease it away.  Someone who knows what you're going through can help = you get=20 past anything that might be in your way.  Your best friend can only = stare=20 at you helplessly, but another songwriter...that's another story!=20
 
Okay, so there's my small list.  = You might=20 wonder why I don't list songwriting books... I have only one!  = Songwriting=20 books make me THINK too much.  And for me, thinking can be a total = disaster=20 when I'm trying to write!  Think about it :-) ... then again, maybe = you=20 shouldn't.
 

Background

An accomplished performer and songwriter from = Canada,=20 Irene Jackson is also well established as a guitar teacher on Vancouver = Island=20 and produces her recordings through MOONSTONE = PRODUCTIONS, her=20 own company. 

In 1993 she released her first independent = recording=20 "Foolishly Fantasizing", and in 1997, she completed her first CD = "Motor=20 Scooter", which she is promoting at performances in Vancouver, Victoria, = Vancouver Island and Seattle.

Irene has just released her latest CD...'undressed'!=20

This is essentially an acoustic solo album. It features the "best = of" three=20 releases, including songs from Foolishly Fantasizing, Motor Scooter and = three=20 acoustic versions of songs from the yet-to-be-released=20 CD, Catnip.  
Visit Irene's CD page and have a = look.

RECENT CAREER HIGHLIGHTS =

  • Home Check theme and Get Up And Grow theme, = airing=20 all across Canada, Japan & Africa.
  • At Home With Herbs theme, airing on the = Knowledge=20 Network, WTN, in Japan and Australia.
  • Canadian Biker TV theme, airing all across = North=20 America on Speedvision.
  • Featured performer at Seattle's Northwest = Folklife=20 Festival, May 1997 & 1999.
  • Featured performer at the Steveston Salmon = Festival,=20 July 1997 & 1998.
  • Featured performer at Folkfest Victoria, = July 1998.=20
  • Completed a new CD Motor Scooter in 1997, = her second=20 release.
  • California Tour with appearances in San = Francisco and=20 Los Angeles, Summer 1999

For more background information about Irene and many more invaluable, = educational songwriting = tips.  Visit Irene's site by CLICKING=20 HERE

Still interested in=20 more songwriting tips? 
 
Visit the 'Songwriting Tips' page at Kismana Music = and=20 clicking HERE  to get more = tips and=20 help from Irene Jackson.
  =
 
Be sure to visit the=20 ARCHIVES as = well!
 

FEATURED=20 CD
 
3D""
Title: Earth Music,=20 METAMORFOSA
DESCRIPTION:   &nbs= p;            = ;            =             &= nbsp;           &n= bsp;           &nb= sp;           &nbs= p;=20 A first for world listeners!  Featuring Indonesia's foremost = contemporary=20 Jazz musicians and Gamelan performers combining with a Western Rhythm=20 section.  Keeping in touch with the deep traditions of Indonesian = music,=20 this CD is a panoply of the rich sounds of the Gamelan, Kendang and Low = Gongs,=20 meshed with quirky melodies that any music market can relate=20 to.
 
 
Hear an MP3 sample=20 of Metamorfosa  and...Check out the Kismana = Ko-Op=20 Catalogue for samples from other independent artists by...=20 CLICKING HERE =

Or you can visit = Parachute=20 Records, the Indie Label responsible for = this=20 release.

KISMANA=20 KO-OP
Please note: If you are = interested on=20 joining the Kismana Ko-Op (a = co-operative of=20 Independent Australian Artists) and have a quality product that = you=20 feel would be suitable, please feel free to contact=20 me for details.
 
 
NETWORKERS'=20 NICHE   &   NEWSWORTHY = NOTES
 
If you want to make contact with other people in the = industry=20 and/or put a message relating to music and songwriting in this = section,=20 please contact me at: subscribetokis@dmn.com.au
(Please remember that we have the right to vet these = messages=20 if necessary!)
 
 
COMPILATIONS & = LABELS SEEKING=20 MATERIAL
 
The following = information=20 has been reprinted from;
 
The DiY=20 Report #115 -- November 16, 2000 - Courtesy of Gajoob.  =
Published via=20 e-mail 1- 3 times monthly. Subscriptions are=20 free.  
 
CONTACT
bryan@gajoob.comhttp://www.gajoob.com
http://www.homemademusic.co= m
COMPILATIONS

Micromegaphone is a new = micro-compilation=20 series in search of
noise/industrial/experimental/weird recordings. = Contact: Radek Kopel.
Postal Address: Radek Kopel, Lipova 1123, = 43401 Most,=20 Czech Republic.

VIDEO & FILM

TV BOY seeks music = videos! =20 Public Access cable show in NYC metro area seeks music and other = experimental=20 videos for half-hour show currently on-air.  Send material on VHS = tape.=20 Contact: Chris, Mark, or MJB. Postal Address: P.O. Box 1083, = Millbrook, NY=20 12545.

ONLINE = DISTRIBUTORS

Voice Records is currently taking submissions = from women=20 artists with
professional quality CDs available for sale.  We = are a=20 "niche" internet
distributor/label (and subsidiary of Joe Records) = with=20 exciting plans to
bring your music to the world wide web community = and=20 beyond!  In the works: exclusive internet radio station, massive=20 networking and linking of your own website to AudioKingdom.com, = sellable MP3=20 downloads, compilation CDs and much more.  There is a $40 = membership fee=20 to join which gives you full access to all of the Voice Records = opportunities.=20 The income split is 50/50 and it is a non-exclusive distribution = agreement.=20 Web Address: http://www.voicerecords.com<= /STRONG>=20 .
 
RESOURCES ON = THE NET=20
 
All Songwriters Network=20 (ASN)
This is a professional songwriting = organization that=20 provides monthly music industry leads for the professional = songwriter/publisher=20 on our monthly tipsheet If you are a prolific songwriter or publisher = who demos=20 your own material, this organization is the one for you. It can help you = get=20 your material to the right people.
 
PITCH your songs = to=20 producers, A&R managers, record labels, entertainment lawyers and = others in=20 the industry. All updated tipsheets are sent to subscribers every month, = providing the songwriter with the latest information on what material is = needed=20 by a particular listing.
 
TYPE OF MATERIAL: = Pop,=20 R&B, Country, Rock, instrumental, etc. The demos must be clear, with = vocals=20 and background music in tune. In some cases master quality demos are = required,=20 such as for T.V. and film listings. ASN will not screen your material.=20
 
For a sample ASN=20 monthly tipsheet: E-mail asn@tiac.net
SONGWRITERS RESOURCE=20 NETWORK
Have changed their domain address to; = http://www.songwritersresourcenetwork.com/ 
 
Visit the Songwriters' Resource Network for = News &=20 information for songwriters, including many current articles on the = craft of=20 songwriting and the music business. 
 
SONG CONTEST - USA = SONGWRITING=20 COMPETITION
 
Attention all songwriters, composers, bands,=20 artists,lyricists!
Win a grand prize of over US $50,000 in cash = &=20 merchandise. 
Winners' will be determined by top Music = Industry=20 Professionals.
Enter in 15 different categories - pop, rock, = R&B=20 and many more...
Open to all, regardless of = nationality.
 
Judges include Walt Disney Music Publishing, = Sony Music,=20 Tommy Boy Records, Warner/Reprise etc.  Visit www.tiac.net/users/asn/ for more=20 details.
 
Local = Happenings=20 -  Western=20 Australia
CD = RELEASES
 
SPANK LAUNCH NEW ALBUM "lOoNy."
Spank are launching their new album = ‘Loony’ this Saturday=20 night at the Amplifier Bar, Perth.  They will be joined by = special=20 guests, ‘Fourth Floor Collapse’ and ‘The (fabulous)=20 Tigers’.   Don’t miss = it!

Coming = Up

No Flowers = have=20 existed at the fringes of the Perth music scene since 1992 and have = produced an=20 eclectic collection of recordings.

Feel the = Same is No=20 Flowers second full length CD. The official release date is the 1st of = December=20 2000, and the band will be celebrating its release with a gig at The = Hyde Park=20 Hotel. Come down and be blown away by bands amazing live performance, it = will be=20 a night not to miss.

OTHER LOCAL = EVENTS

S.L.A.M. INDY 2000=20 at the NEWPORT HOTEL this  SUNDAY 26 NOV  from = 5.30pm -=20 10pm.  8 BANDS & 2 = STAGES=20 featuring;
EFFIGY ! =20 WOOKSTAR, JOOB, The JUNE BRIDES, RING PIECE, FOUR = FEET=20 AWAY , ODDITY,  WASTE = OF SPACE=20 and JAYD.   
 
Be early, it promises to be huge and with = summer warming=20 things up ,what a great beergarden to hang out, listen to bands and cool = of with=20 a few beers with friends.
 
Tonight (Nov = 23rd) - a=20 unique 'Sensorium = Aquatica' for land lubbers.  Get down to the = Fly by=20 Night Club where a 'Sci-Fi=20 Grooverama Sensorium' has been = created. =20 Look forward to interesting performances by bands,=20 Proton
and Prawns With Horns = as well=20 as  DJ's; BOZO, Harmony, Paul Malone and Boogieman = Krak.  The=20 entertainment also includes an opening and
closing didgeridoo = performance,=20 from the maestro David Stockdale and much much=20 more.

 Eastern States CD Launch
 
For Victorian readers, Resonance=20 celebrates their CD launch at 'The Punters Club', 376 Brunswick = St,=20 Fitzroy this Sunday November 26th at 7.00pm.  Their self-titled CD = was=20 described by Mark Rayner from Inpress as=20 ...  
"peaceful,conjuring, = intensely=20 literate...free from folk fractured only by=20 discordant percussion"

CONTRIBUTIONS 
Finally, if you would like to contribute to this newsletter = by=20 writing an article, please feel free to contact me.
 
Thanks all and until next time...keep = writing!
 
Regards
 
Connie Kis
 
 
If anyone receiving a forwarded copy of this = newsletter is=20 interested in future newsletters, please subscribe by clicking on = the=20 following link and typing ‘subscribe’ in the message = box: 
 
 
PRIVACY POLICY: 
I will never abuse the privilege of having = you as a=20 subscriber.  I will not give = out your=20 email address to anyone unless I first seek and gain permission = from=20 you. 
 
 
Kismana Music
Supporting = Songwriters=20 and Independent Artists.
 
Visit our Web Site at:   http://www.kismana.com.au/
 
for Songwriting Resources, CD releases from Independent = Australian=20 Artists and MP3 samples of their work.
 
PO Box 1254
Bentley DC 6983
Western = Australia
 
Ph/Fax: + 61 - 8 - 9367 9340
 
 
 
If you don’t wish to be sent any future newsletters, = please just=20 click on the link below with 'remove' in the subject box.  =20 Thank you.
 
PLEASE also indicate = which=20 email addresses you wish to have removed!  =
 
 
removefromkis@dmn.com.au=
 
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